Ajímátí Films (@ajimatifilms) 's Twitter Profile
Ajímátí Films

@ajimatifilms

French production company aiming at challenging the dominant representations on various social and political issues, notably on the African continent

ID: 1620419044271869958

linkhttps://www.ajimatifilms.com/ calendar_today31-01-2023 13:49:51

454 Tweet

474 Followers

2,2K Following

Geezus B. O'Phinse (@melohello) 's Twitter Profile Photo

I saw Alain Kassanda's film "Coconut Head Generation" Indie Memphis and those students are brilliant in their observations, and yet the university facilities are in grave disrepair. To see those young people studying under street lights while knowing no jobs await them... Heavy.

Ajímátí Films (@ajimatifilms) 's Twitter Profile Photo

"Colette and Justin" is available on a Tv version for streaming on OVID and on a longer version in Dvd, distributed by Icarus Films! You can also contact them for screenings in the US and Ajímátí Films for anywhere else in the world!

OVID (@ovidtv) 's Twitter Profile Photo

We can say a lot too about this complex family affair pivoting around the assassination of Congolese president Patrice Lumumba: COLETTE AND JUSTIN by Alain Kassanda continues streaming on OVID—a must-watch and companion to Soundtrack to a Coup d’Etat. ovid.tv/videos/colette…

SharjahArtFoundation (@sharjahart) 's Twitter Profile Photo

The winners of the #SharjahFilmPlatform 7 awards are ‘Coconut Head Generation’ (2023) by Alain Kassanda; ‘Surveilling a Crime Scene’ (2023) by Alana Hunt; ‘Cu Li Never Cries’ (2024) by Phạm Ngọc Lân; and ‘Upshot’ (2024) by Maha Haj.

The winners of the #SharjahFilmPlatform 7 awards are ‘Coconut Head Generation’ (2023) by Alain Kassanda; ‘Surveilling a Crime Scene’ (2023) by Alana Hunt; ‘Cu Li Never Cries’ (2024) by Phạm Ngọc Lân; and ‘Upshot’ (2024) by Maha Haj.
Ajímátí Films (@ajimatifilms) 's Twitter Profile Photo

Nous sommes un collectif de chercheur.e.s et d'artiste travaillant au et sur le Nigéria à signer dans Libération une tribune ce jour en réaction à la visite d'Etat du président nigérian en France. En kiosque et en ligne aujourd'hui ! liberation.fr/idees-et-debat…

Afrique XXI (@afriquexxi) 's Twitter Profile Photo

Joshua Akintayo entrecroise son expérience d'étudiant au #Nigeria avec le beau documentaire "Coconut Head Generation" d'Alain Kassanda, chronique de la vie de campus et de la colère estudiante à Ibadan lors du mouvement #EndSARS afriquexxi.info/Coconut-Head-G…

Joshua (@josh_akintayo) 's Twitter Profile Photo

I recently saw Alain Kassanda's documentary, Coconut Head Generation, and was moved by its succinct portrayal of subtleties in higher education in Nigeria. I shared my reflections on this thought-provoking documentary in a review for Afrique XXI afriquexxi.info/A-Generation-s…

jo? (@jolan_pdf) 's Twitter Profile Photo

est-ce Dahomey et Coconut Head Generation sont les premiers longs-métrages à utiliser l’écriture inclusive pour leurs sous-titres ? l’impression d’en avoir encore jamais vu avant eux 💭

est-ce Dahomey et Coconut Head Generation sont les premiers longs-métrages à utiliser l’écriture inclusive pour leurs sous-titres ? l’impression d’en avoir encore jamais vu avant eux 💭
OVID (@ovidtv) 's Twitter Profile Photo

COCONUT HEAD GENERATION “A dialectical work, it enmeshes its audience with engaged young people, undercutting the titular insult which is often thrown their way.” hyperallergic Alain Kassanda's films within a film club within a film now streaming ONLY on OVID 🎞️

The Republic (@republicjournal) 's Twitter Profile Photo

Drawing on Alain Kassanda’s powerful documentary, ’Colette and Justin’, today’s essay explores how colonial systems of domination continue to shape the lives of Congolese women. Check the tweet below for the full essay. cc Redamancy

Drawing on Alain Kassanda’s powerful documentary, ’Colette and Justin’, today’s essay explores how colonial systems of domination continue to shape the lives of Congolese women.

Check the tweet below for the full essay.
cc <a href="/heyifeoluwa/">Redamancy</a>