Ambarish Satwik (@ambarishsatwik) 's Twitter Profile
Ambarish Satwik

@ambarishsatwik

Vascular surgeon, writer.

ID: 3191083568

calendar_today10-05-2015 19:16:50

2,2K Tweet

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In the 1st century CE, in a particularly sunbaked part of Roman Egypt, a Greek mathematician, engineer, and tinkerer named Heron (aka Hero of Alexandria) devised a mechanical object that he used as a parlour trick. The device was simple. A sealed cauldron of water, heated from

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October 2015, Tokyo. Golden Gai, to the outsider, seemed like a mistake that had somehow survived. Obviously some bureaucracy had allowed it to remain. A clutch of narrow alleys in the armpit of Shinjuku. Where modern Tokyo had failed to close the deal. It was like a museum with

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Once a month, I have a go at translating a sher to produce a serviceable prose version for my own benefit. The business of putting it into metre and rhyme is a labour far beyond my pay grade. Here’s the offering from March. I have a particular fondness for this one, partly for

Once a month, I have a go at translating a sher to produce a serviceable prose version for my own benefit. The business of putting it into metre and rhyme is a labour far beyond my pay grade. Here’s the offering from March. I have a particular fondness for this one, partly for
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Somewhere between the twilight of the Jazz Age and the beginning of the Great Depression, Scott Fitzgerald was being paid $4,000 per short story by the Saturday Evening Post, the highest circulated weekly magazine in the United States. This is roughly $70,000 per story in today’s

Somewhere between the twilight of the Jazz Age and the beginning of the Great Depression, Scott Fitzgerald was being paid $4,000 per short story by the Saturday Evening Post, the highest circulated weekly magazine in the United States. This is roughly $70,000 per story in today’s
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What the salad tried to do to us. The first ambition of any plant is to make itself uneatable. Long before anything clever walked on earth, plants settled on poisoning anything with a mouth. If you can’t run, you better taste terrible. The only way to stay alive was to face

What the salad tried to do to us. 

The first ambition of any plant is to make itself uneatable. Long before anything clever walked on earth, plants settled on poisoning anything with a mouth. If you can’t run, you better taste terrible. The only way to stay alive was to face
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The Moka Pot: Instructions for Inheritance Don’t wash it with soap. You’d rinse away The trace of every yesterday. The oils that cling are not unclean. They mark the soul, not just the sheen.

The Moka Pot: Instructions for Inheritance

Don’t wash it with soap. You’d rinse away
The trace of every yesterday.
The oils that cling are not unclean. 
They mark the soul, not just the sheen.
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The film Masaan, written by ą¤µą¤°ą„ą¤£ šŸ‡®šŸ‡³, begins with a sher by Pandit Brij Narayan Chakbast. zindagÄ« kyā hai anāsir meƱ zuhÅ«r-e-tartÄ«b maut kyā hai inhīƱ ajzā kā pareshāƱ honā anāsir: elements zuhÅ«r-e-tartÄ«b: manifestation (zuhÅ«r) of order (tartÄ«b) ajzā: parts, components I’m

The film Masaan, written by <a href="/varungrover/">ą¤µą¤°ą„ą¤£ šŸ‡®šŸ‡³</a>, begins with a sher by Pandit Brij Narayan Chakbast.

zindagī kyā hai anāsir meñ zuhūr-e-tartīb
maut kyā hai inhīƱ ajzā kā pareshāƱ honā

anāsir: elements
zuhūr-e-tartīb: manifestation (zuhūr) of order (tartīb)
ajzā: parts, components

I’m
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Raag Puriya Dhanashree is dusk in sound form. It’s also the raag of deferred heartbreak. Click play on Farida Khanum singing Faiz in Puriya Dhanashree and you’re undone. At roughly the three-quarter mark in the ghazal, at 7.09 minutes, is a sher that pulls off in two lines what