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During lockdown and unable to perform life, sculpture started to find its way into Roksana Pirouzmand’s work. Still, the body remains decidedly present. artnews.com/art-in-america…

Glenn Kaino, the cocurator of the Hammer Museum’s “Breath(e): Toward Climate and Social Justice,” part of LA’s “PST ART: Art & Science Collide,” discusses conservation and artistic production, along with his top five obsessions. artnews.com/list/art-in-am…

In her new book "The Unseen Truth: When Race Changed Sight in America," Sarah Lewis shows how photography taught Americans to “see” race. artnews.com/art-in-america…

Rachel Jones’s visceral yet vibrant paintings express her fascination with the challenge of communicating multiple truths at once, constantly navigating the duality between the real and the imagined. artnews.com/art-in-america…

Starting in the 1970s, a generation of women set out to rethink Land art as an environmentally minded public art form, often sited in cities. Kirsten Swenson investigates why they deserve a place on the itinerary—and in art history. artnews.com/art-in-america…

Time and again, Joyce J. Scott’s colorful creations stare down histories of racism, classism, and sexism with steely eyes and an impish grin. artnews.com/art-in-america…

During lockdown and unable to perform life, sculpture started to find its way into Roksana Pirouzmand’s work. Still, the body remains decidedly present. artnews.com/art-in-america…

The witty title of Svetlana Alpers’s collection of a lifetime’s worth of essays, "Is Art History?," suggests that for her too, the issue of art’s historicity and questions about how it impacts an observer in real time are recurrent concerns. artnews.com/art-in-america…

Rachel Jones’s visceral yet vibrant paintings express her fascination with the challenge of communicating multiple truths at once, constantly navigating the duality between the real and the imagined. artnews.com/art-in-america…

Working on fire escapes and other outdoor sites, Alix Vernet slathers exteriors of buildings with latex, then allows it to dry to form thin, saggy sheets. artnews.com/art-in-america…

An artist wonders about surrendering to the system, and a museum worker inquires about ratting on their boss. Art advice columnists Chen & Lampert are here to help with some ‘Hard Truths.’ artnews.com/art-in-america…

While critics have said AI’s crude interpretation of our collective consciousness threatens both the essence of creativity and the livelihoods of those who depend on it, Charlie Engman counters that it can be used for our benefit too. artnews.com/art-in-america…

Amanda Ba’s paintings thwart the racist stereotype that Asian women are meek and docile. Yet her work focuses more on statements based around posthumanism, construction, and critical theory. artnews.com/art-in-america…

In her new book "The Unseen Truth: When Race Changed Sight in America," Sarah Lewis shows how photography taught Americans to “see” race. artnews.com/art-in-america…

Centered around his native Jamaica, Simon Benjamin’s works take shape in the aftermath of the transatlantic slave trade and examine the brutal relationships Black people have with the ocean, global trade, and migration. artnews.com/art-in-america…

In her studio on the industrial outskirts of Seoul, artist Haena Yoo creates sculptures that often look like science experiments, and resist efforts to contain them in fixed forms. artnews.com/art-in-america…

Central to Selma Selman’s diverse practice is the act of transformation: of materials, social constructs, cultural signifiers, and, most often, combinations thereof. artnews.com/art-in-america…

How might we represent American history anew, grappling honestly with slavery and genocide? Emily Watlington explores recent proposals for American monuments. artnews.com/art-in-america…

During lockdown and unable to perform life, sculpture started to find its way into Roksana Pirouzmand’s work. Still, the body remains decidedly present. artnews.com/art-in-america…

Every point has a counterpoint in Trey Abdella’s work, a clear sign of his contrarian impulse. In every vision of blissful Americana, a dark side bubbles to the surface, so that no painting is ever just an illustration. artnews.com/art-in-america…