EnergaCAMERIMAGE Film Festival reveals first 3 films in Main Competition EnergaCAMERIMAGE Find out more: britishcinematographer.co.uk/energacamerima…

“When shooting a live-action film featuring a fully computer-generated character like Paddington, the approach to lighting doesn't change as drastically as one might expect.” Gaffer Andy Lowe reveals how he helped light #PaddingtonInPeru. Read more: britishcinematographer.co.uk/supplement_pos…

Our House Pictures and Mark Milsome Foundation launch new Kit Start programme for aspiring camera crew Find out more: britishcinematographer.co.uk/our-house-pict…

Framestore to host #WorldVFXDay – “showcasing the art, craft and innovation of visual effects in filmmaking” Framestore Find out more: britishcinematographer.co.uk/framestore-to-…

“It was like seeing the sun rise at night. That’s how clean and strong the Evoke 5000Bs are.” Sidney Baucheron explains how he has used Nanlux Global's tools to transform every set into a work of art Read more: britishcinematographer.co.uk/supplement_pos…

EnergaCAMERIMAGE reveals Cinematographers’ Debuts Competition line-up EnergaCAMERIMAGE Find out more: britishcinematographer.co.uk/energacamerima…

#SundanceFilmFestival announces Park City Legacy programme Sundance Film Festival Find out more: britishcinematographer.co.uk/sundance-film-…

British Society of Cinematographers announces Cinematography in a Short Film nominees Find out more: britishcinematographer.co.uk/british-societ…

“Everyone agreed that we didn’t want the usual kitchen sink council estate look but for a multi-coloured pastel and fluorescent scheme that nonetheless wasn’t too glossy.” Read more on shooting What It Feels Like for a Girl: britishcinematographer.co.uk/si-bell-bsc-an…

Robe introduces HCF Engine for iFORTE LTX – a “leap forward” in moving light colour fidelity Robe Lighting Find out more: britishcinematographer.co.uk/robe-introduce…

Phedon Papamichael ASC GSC and more celebrated at Evolution Mallorca International Film Festival Find out more: britishcinematographer.co.uk/phedon-papamic…

Mark Cousins to curate “live film-essay” from European Film Awards ceremony European Film Academy Find out more: britishcinematographer.co.uk/mark-cousins-l…

EnergaCAMERIMAGE unveils Documentary Features Competition line-up EnergaCAMERIMAGE Read more: britishcinematographer.co.uk/energacamerima…

“A lot of manufacturers now are saying, well, if you've got a problem with your fixture… send it back and we'll replace the engine, we won't replace the entire fixture,” says chief lighting technician Cullum Ross ICLS. Read more from Ross and peers: britishcinematographer.co.uk/supplement_pos…

BFI announces programme for December – with James Cameron and Richard Burton seasons BFI Find out more: britishcinematographer.co.uk/bfi-announces-…

Documentary #Twiggy and Fernando Frías’ latest film premiere exclusively at Evolution Mallorca International Film Festival Read more: britishcinematographer.co.uk/documentary-tw…

FilmLight Colour Awards reveals 2025 nominees FilmLight Colour Awards Find out more: britishcinematographer.co.uk/filmlight-colo…

How Annemarie Lean-Vercoe used Astera Titan and Helio Tubes to light #Outrageous Find out: britishcinematographer.co.uk/annemarie-lean…

Royal Television Society presents 2025 scholars Royal Television Society Find out more: britishcinematographer.co.uk/royal-televisi…

“Lighting for different skin tones isn’t about increasing or decreasing light in 2025, because we aren’t shooting on 100 speed EXR stock,” says Tommy Maddox-Upshaw ASC. Diverse skin tones require diverse techniques to bring out their best. Read more: britishcinematographer.co.uk/supplement_pos…