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British Cinematographer

@bcinemag

Europe's No.1 magazine covering the art and craft of international cinematography.

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linkhttps://linktr.ee/BCineMag calendar_today15-07-2015 09:22:41

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“When shooting a live-action film featuring a fully computer-generated character like Paddington, the approach to lighting doesn't change as drastically as one might expect.” Gaffer Andy Lowe reveals how he helped light #PaddingtonInPeru. Read more: britishcinematographer.co.uk/supplement_pos…

“When shooting a live-action film featuring a fully computer-generated character like Paddington, the approach to lighting doesn't change as drastically as one might expect.”

Gaffer Andy Lowe reveals how he helped light #PaddingtonInPeru.

Read more: britishcinematographer.co.uk/supplement_pos…
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Framestore to host #WorldVFXDay – “showcasing the art, craft and innovation of visual effects in filmmaking” Framestore Find out more: britishcinematographer.co.uk/framestore-to-…

Framestore to host #WorldVFXDay – “showcasing the art, craft and innovation of visual effects in filmmaking” <a href="/Framestore/">Framestore</a> 

Find out more: britishcinematographer.co.uk/framestore-to-…
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“It was like seeing the sun rise at night. That’s how clean and strong the Evoke 5000Bs are.” Sidney Baucheron explains how he has used Nanlux Global's tools to transform every set into a work of art Read more: britishcinematographer.co.uk/supplement_pos…

“It was like seeing the sun rise at night. That’s how clean and strong the Evoke 5000Bs are.”

Sidney Baucheron explains how he has used <a href="/NanluxGlobal/">Nanlux Global</a>'s tools to transform every set into a work of art

Read more: britishcinematographer.co.uk/supplement_pos…
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British Society of Cinematographers announces Cinematography in a Short Film nominees Find out more: britishcinematographer.co.uk/british-societ…

British Society of Cinematographers announces Cinematography in a Short Film nominees 

Find out more: britishcinematographer.co.uk/british-societ…
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“Everyone agreed that we didn’t want the usual kitchen sink council estate look but for a multi-coloured pastel and fluorescent scheme that nonetheless wasn’t too glossy.” Read more on shooting What It Feels Like for a Girl: britishcinematographer.co.uk/si-bell-bsc-an…

“Everyone agreed that we didn’t want the usual kitchen sink council estate look but for a multi-coloured pastel and fluorescent scheme that nonetheless wasn’t too glossy.”

Read more on shooting What It Feels Like for a Girl: britishcinematographer.co.uk/si-bell-bsc-an…
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Robe introduces HCF Engine for iFORTE LTX – a “leap forward” in moving light colour fidelity Robe Lighting Find out more: britishcinematographer.co.uk/robe-introduce…

Robe introduces HCF Engine for iFORTE LTX – a “leap forward” in moving light colour fidelity <a href="/Robelighting/">Robe Lighting</a> 

Find out more: britishcinematographer.co.uk/robe-introduce…
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“A lot of manufacturers now are saying, well, if you've got a problem with your fixture… send it back and we'll replace the engine, we won't replace the entire fixture,” says chief lighting technician Cullum Ross ICLS. Read more from Ross and peers: britishcinematographer.co.uk/supplement_pos…

“A lot of manufacturers now are saying, well, if you've got a problem with your fixture… send it back and we'll replace the engine, we won't replace the entire fixture,” says chief lighting technician Cullum Ross ICLS.

Read more from Ross and peers: britishcinematographer.co.uk/supplement_pos…
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BFI announces programme for December – with James Cameron and Richard Burton seasons BFI Find out more: britishcinematographer.co.uk/bfi-announces-…

BFI announces programme for December – with James Cameron and Richard Burton seasons <a href="/BFI/">BFI</a> 

Find out more: britishcinematographer.co.uk/bfi-announces-…
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How Annemarie Lean-Vercoe used Astera Titan and Helio Tubes to light #Outrageous Find out: britishcinematographer.co.uk/annemarie-lean…

How Annemarie Lean-Vercoe used Astera Titan and Helio Tubes to light #Outrageous 

Find out: britishcinematographer.co.uk/annemarie-lean…
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“Lighting for different skin tones isn’t about increasing or decreasing light in 2025, because we aren’t shooting on 100 speed EXR stock,” says Tommy Maddox-Upshaw ASC. Diverse skin tones require diverse techniques to bring out their best. Read more: britishcinematographer.co.uk/supplement_pos…

“Lighting for different skin tones isn’t about increasing or decreasing light in 2025, because we aren’t shooting on 100 speed EXR stock,” says Tommy Maddox-Upshaw ASC.

Diverse skin tones require diverse techniques to bring out their best.

Read more: britishcinematographer.co.uk/supplement_pos…