
britt swartjes
@brittswartjes
PhD candidate cultural sociology @erasmusuni | Music Festivals, DEI, work & production | & Researcher @BoekmanNL
ID: 1138050166601244672
10-06-2019 11:47:58
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366 Followers
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Frank Kimenai, Frank Kimenai, PhD-candidate at ESHCC, curated ESNS Science: a conference programme that reveals how we can use science to change the course of the music sector for the better. He speaks about it in an interview with Eurosonic Noorderslag. bit.ly/3CVcdiR

The Keychange Pledge Action Plan is out now! Based on data analysed by Nidhi Joshi, @PauwkeBerkers and myself (report coming in a few weeks- stay tuned!), Keychange sets out a plan to continue its work in reaching gender equity in the music industry Rotterdam Popular Music Studies (RPMs) ESHCC

This week we launched the Keychange Pledge Action Plan in Brussels. So proud of Team Keychange (PRS Foundation Musikcentrum Öst @Reeperbahn_Fest), partners & signatories! #TargetedActionWorks ⚡️ Special thanks Creative Europe, Francine, Britt, Merle, Marie, Mia, Aysha & Lea


✨New ✨ #OpenAccess paper in Community, Work & Family Journal with Ellen Verbakel, Gerbert Kraaykamp and Tanja van der Lippe! tandfonline.com/doi/full/10.10…

Congratulations to Lise Zurné for winning the first ESHCC Societal Engagement Award! Lise has been granted this award because of work centered around the issue of sexualized harassment and gender-based violence in fieldwork. bit.ly/40NPtuI



Our Spanish workation yields interesting insights for the scientific community and society at large. #outreach \w @dieuwkezwier britt swartjes Marlou Ramaekers |🦋marlouramaekers.bsky.social Milou van de Bemd


Great collection of interdisciplinary work on Atmospheres out now! Happy to have contributed a chapter with @ianswoodward, in which we analyze the role of light, nature, wind, and weather in making music festival atmospheres. Thanks to editors Chloe Steadman @jackcoffin

✨New publication✨ Based on interviews with music festival interns that stayed or left, @PauwkeBerkers investigate who is represented as a worker in the music festival industry, who is not and why Rotterdam Popular Music Studies (RPMs) FestiVersities Read here open access: tandfonline.com/doi/full/10.10…


