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Film Comment Magazine

@filmcomment

Arts & culture mag from @filmlinc. Since 1962. Reviews and in-depth analysis of mainstream, art-house & avant-garde film.

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linkhttps://www.filmcomment.com/newsletter-sign-up/ calendar_today03-05-2009 19:39:10

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Now online from The Film Comment Letter: Beatrice Loayza (Beatrice Loayza) reports from #Cannes2025, writing on Richard Linklater’s NOUVELLE VAGUE, Ari Aster’s EDDINGTON, and Christian Petzold’s MIRRORS NO. 3. filmcomment.com/blog/cannes-20…

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For our eighth Podcast from #Cannes2025, Abby Sun (Abby Sun), Beatrice Loayza (Beatrice Loayza), and Giovanni Marchini Camia join to discuss Joachim Trier’s SENTIMENTAL VALUE, Carla Simón’s ROMERÍA, and more. filmcomment.com/blog/the-film-…

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“It’s a jump into the abyss, a celebration of the end. It’s the end of the world, but keep dancing.” Oliver Laxe sits down with Jordan Cronk 🥀 to discuss SIRÂT, his trance-inducing techno vision quest that’s been one of the highlights of Cannes 2025. filmcomment.com/blog/interview…

Beatrice Loayza (@bealoayza) 's Twitter Profile Photo

Wrote about the new films by Ari Aster, Richard Linklater and Christian Petzold as part of my Film Comment Magazine Cannes dispatch, which is now available online: filmcomment.com/blog/cannes-20…

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For our ninth Podcast from #Cannes2025, critics Justin Chang , Tim Grierson, and Alison Willmore / alisonwillmore.bsky.social join FC Editor Devika Girish to discuss Kelly Reichardt’s THE MASTERMIND, Bi Gan’s RESURRECTION, Wes Anderson’s THE PHOENICIAN SCHEME, and more. filmcomment.com/blog/the-film-…

For our ninth Podcast from #Cannes2025, critics <a href="/JustinCChang/">Justin Chang</a> , <a href="/TimGrierson/">Tim Grierson</a>, and <a href="/alisonwillmore/">Alison Willmore / alisonwillmore.bsky.social</a> join FC Editor <a href="/devikagirgayi/">Devika Girish</a> to discuss Kelly Reichardt’s THE MASTERMIND, Bi Gan’s RESURRECTION, Wes Anderson’s THE PHOENICIAN SCHEME, and more. 
filmcomment.com/blog/the-film-…
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On my last day in Cannes, I was on the Film Comment Magazine podcast (alongside Alison Willmore / alisonwillmore.bsky.social, Justin Chang and host Devika Girish) to talk about some of the festival's final premieres. (I was pretty rapturous about RESURRECTION and especially THE MASTERMIND.) filmcomment.com/blog/the-film-…

On my last day in Cannes, I was on the <a href="/FilmComment/">Film Comment Magazine</a> podcast (alongside <a href="/alisonwillmore/">Alison Willmore / alisonwillmore.bsky.social</a>, <a href="/JustinCChang/">Justin Chang</a> and host <a href="/devikagirgayi/">Devika Girish</a>) to talk about some of the festival's final premieres. (I was pretty rapturous about RESURRECTION and especially THE MASTERMIND.) filmcomment.com/blog/the-film-…
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Now online from The Film Comment Letter: Mark Asch (Mark Asch) writes on three standout films from #Cannes2025: Pedro Pinho’s I ONLY REST IN THE STORM, Julia Ducournau’s ALPHA, and Jafar Panahi’s IT WAS JUST AN ACCIDENT. filmcomment.com/blog/cannes-20…

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Now online from the FC Letter: Devika Girish (Devika Girish) sits down at #Cannes2025 with Jafar Panahi to discuss his Palme d'Or–winning IT WAS JUST AN ACCIDENT. filmcomment.com/blog/int-jafar…

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Grab your tickets now for Film Comment Live: GriGris with Malcolm Harris (Malcolm Harris)! The June 10 event Film at Lincoln Center features a screening of Mahamat-Saleh Haroun’s 2013 thriller and a conversation about cinematic depictions of the climate crisis. 🎟️: filmlinc.org/events/film-co…

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“THE FINAL RECKONING celebrates the tenacity and power of the human body struggling against technology.” Tom Gunning weighs in on the latest (last?) entry in the MISSION: IMPOSSIBLE franchise. filmcomment.com/blog/impossibl…

“THE FINAL RECKONING celebrates the tenacity and power of the human body struggling against technology.”

Tom Gunning weighs in on the latest (last?) entry in the MISSION: IMPOSSIBLE franchise.
filmcomment.com/blog/impossibl…
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“The film is supposed to smell like New York. And it’s not perfume.” Beatrice Loayza (Beatrice Loayza) interviews Spike Lee about his latest HIGHEST 2 LOWEST, which just premiered at this year’s Cannes Film Festival. filmcomment.com/blog/interview…

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Applications are now open for the 2025 Film at Lincoln Center Critics Academy! Alongside Film Comment’s Editors, participants attend workshops with some of our favorite writers and editors and receive New York Film Festival press badges, among other opportunities. filmlinc.org/academy-progra…