“It’s only through an understanding of history that a present can be practiced and a future can be imagined.” fjordreview.com/ayodele-casel-…

The best of Youth American Grand Prix and more - Starry Night - mailchi.mp/fjordreview/st…

My review of NYCB's "La Source" / "Namouna" program for Fjord Review: "Both Balanchine and Ratmansky have dispensed with their original plots, to differing degrees...In both, wit, lightness, and stylishness predominate." fjordreview.com/new-york-city-…

A well-deserved victory lap for Virginia Johnson with Dance Theatre of Harlem - read all the latest in our newsletter here - mailchi.mp/fjordreview/vi…

Northern Ballet first soloist Dominique Larose talks about portraying Daisy Buchanan in the company's production of The Great Gatsby. Fjord Review fjordreview.com/the-daisy-age-…

Not every night at the ballet is equally brilliant, but even an off night can reveal all sorts of interesting details fjordreview.com/new-york-city-…

For much of Shamel Pitt's “Touch of RED," the two extraordinary dancers seemed to exist only for each other as their bodies bounced and stretched, twisted and lunged, pulled each other close or locked in an embrace. My review for Fjord Review is at fjordreview.com/shamel-pitts-t…

I've been thinking a lot about the ways ballet has stuck with me, both positively and negatively. Lately, a lot of this thinking has been happening at the barre in my adult ballet class. fjordreview.com/back-to-the-ba…

What a lovely review of Garden Party by Karen Hildebrand for Fjord Review! Enchanted Evening - fjordreview.com/garden-party-d… via @fjordreview

"Filled with vivid descriptions of Australia’s landscapes, more than a few steamy scenes, and a heavy focus on the realities of the ballet world."

bit.ly/3LXEVEO Our latest Fjord Review A convo w/Ligia Lewis re "A Plot/A Scandal" at Geffen Contemporary MOCA 5/5-6. "This is anti-solo, but there are many components to the piece. And yes, I’ve always been political, because I don’t know how not to be." #GO

Beneath the Surface - read the latest newsletter! - mailchi.mp/fjordreview/be…

Our latest Fjord Review: A convo w/ Benjamin Millepied of L.A. Dance Project re his "Romeo & Juliet" & casting a straight couple & 2 gay couples. Segerstrom Center for the Arts 5/13-14. "It felt that I had no rights to decide that it should be a man and a woman." #GO #artsheal bit.ly/3O5l9s7

Read our latest newsletter! The Body Electric - mailchi.mp/fjordreview/th…

On one of the strongest lineups of the spring season, the New York City Ballet bookended Balanchine’s 1957 masterpiece, “Agon,” with the first and last ballets choreographed by Jerome Robbins: “Fancy Free” and “Brandenburg Concerto.” nycballet fjordreview.com/new-york-city-…

The Power of Three - mailchi.mp/fjordreview/po…

Our Fjord Review story: The Wooden Floor, a non-profit organization providing tutoring, academic services, counseling & dance education to low-income youth at no cost, celebrates 40 yrs Irvine Barclay w/works by 3 choreographers, 6/1-3. #dancejunkie #GO bit.ly/3oz4fYO

Re-Emergence - the week in dance - mailchi.mp/fjordreview/re…

Joshua Beamish’s 2019 “Giselle Gautreau” takes place almost entirely over social media. fjordreview.com/josh-beamish-g…

School's out! Read the latest newsletter - School Report - mailchi.mp/fjordreview/sc…