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“My upcoming exhibition is called Sous l'étoffe du monde, and is partly inspired by shungas, erotic Japanese prints (...) In this series, there will be several large-format works featuring couples.” — Zoé Térouinard, Citizen K.

On the occasion of the group show "Énormément bizarre", Jonathan Meese exhibits his works at the Centre Pompidou through June 30, 2025. Presented in almost its entirety, Jean Chatelus' collection embraces his taste for the outsiders and enfants terribles of contemporary art.

This Saturday, the talented French textile artist, Jeanne Vicerial, will unveil a new show at TEMPLON, the fruit of two years spent exploring the notion of metamorphosis. For the "Nymphose" exhibition, Vicerial fills the gallery’s historical space with her Présences.

Starting this Saturday, Iván Navarro invests TEMPLON’s space with "Cyclops", a luminous odyssey across myth, cosmos and power. Chilean artist, renowned for his light works, makes his first show in the space on Rue du Grenier-Saint-Lazare.

In Will Cotton's paintings, one may observe the sirens from afar in their natural, candy-laden habitat, and in other instances one may be captivated by their hypnotic gaze.

On the occasion of the group show "Apocalypse, Hier et demain", curated by Jeanne Brun and Pauline Créteur, Abdelkader Benchamma is exhibiting his works at the Bibliothèque nationale de France through June 8, 2025.

The Red Brick Art Museum is dedicating a solo show to Chiharu Shiota, curated by Yan Shijie, until August 31, 2025 in Beijing. The exhibition features a series of site-specific installations created for the museum.

Les Franciscaines is dedicating a solo show to Pierre et Gilles, curated by Annie Madet-Vache and the artists, from this Saturday in Deauville. The exhibition focuses on the maritime theme, and includes iconic works as well as four works specially produced for the show.

Jeanne Vicerial's show is an ode to transformation in all its facets. Vicerial depicts it in various forms: as an awakening of the material, as artistic creation via a process of exploration and experimentation.

Boston's Institute of Contemporary Art dedicates her first solo show in New England to Chiharu Shiota, as part of the Boston Public Art Triennial 2025, through September 1, 2025. The exhibition includes two site-specific installations.

"Populated by female figures, her work bears witness to a powerful process of reappropriating the gaze and narratives. In her work, women are not muses. They are sovereign." Gwennaëlle Gribaumont, La Libre.

For the exhibition, Iván Navarro is displaying a series of 14 electric sculptures, which transform the space through hypnotic optical effects. Oscillating between celestial phenomena and reflections on power relations, Navarro offers an intense sensory and symbolic immersion.

From May 30, 2025, the Musée des Beaux-Arts de Lyon will be dedicating a solo show to François Rouan, curated by Isabelle Monod-Fontaine and Sylvie Ramond, focusing on the theme of imprinting, which runs through his work over half a century.

"In her work, Eros and Thanatos struggle to redeem the world. She draws her inspiration from diverse cultures, from Japanese art to Western masters, to create scenes that question and fascinate the viewer." — Xavier de Moulins on RTL.

We wish a happy birthday to Léonard Martin !

The mermaid as we know her has captivated Western imagination since before the Middle Ages, with the first images of hybrid female sea creatures appearing before the first century.

The gallery's lower ground presents the behind-the-scenes workings by Iván Navarro, where art and urbanism converge to rethink and re-enchant the public space of Paris.

“Multiple braids, cords and lianas intertwine to give life to giant artifacts: half-plant, half-animal nymphs, as if captured in their moult.” — Excerpt from the article ‘Les nymphes noires de Jeanne Vicerial exposées à Paris’ by Sophie Abriat in M le Magazine du Monde.

"With audacity, carnal pleasure surrounds itself with chaos: the liaisons of Eros and Thanatos. Love and tenderness become gestures of resistance in the face of daily infamies" — Timothée Chaillou, Connaissance des Arts.

"Unicorns and cowboys have entered this lexicon over the decades, imagery Will Cotton considers a part of an American iconography he is creating. His palette is frothy, pale, and, often, very pink. The backgrounds of his works are based on maquettes and molds." — Artnet.