Georgia Review (@georgiareview) 's Twitter Profile
Georgia Review

@georgiareview

Award-winning literary journal featuring poetry, fiction, essays, art, & reviews. Published quarterly in Athens, GA, since 1947.

ID: 59808547

linkhttp://www.thegeorgiareview.com calendar_today24-07-2009 15:25:13

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Theo Meranze reviews the exhibition "Life on Earth: Art and Ecofeminism," featured at The Brick in Los Angeles last year. Read the entire review in print or online in Spring 2025: bit.ly/3GHrOau

Theo Meranze reviews the exhibition "Life on Earth: Art and Ecofeminism," featured at The Brick in Los Angeles last year. Read the entire review in print or online in Spring 2025: bit.ly/3GHrOau
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LAST CALL FOR SUBMISSIONS TO THE 2025 LORAINE WILLIAMS POETRY PRIZE! Submissions close TONIGHT at midnight. Send us your favorites.

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“In the face of precarity, unsustainability, and isolation, artists, activists, and revolutionaries are turning to care.” Read Adil Mansoor’s recent essay, “Performing Care,” in Georgia Review this week! #APAHeritageMonth thegeorgiareview.com/posts/performi…

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Dodged a bullet is one way you described not getting AIDS though we know the metaphor inadequate. —“Passover” by Julie Enszer, featured in Georgia Review & our #PrideMonth reading list: thegeorgiareview.com/posts/shepherd…

Amee Nassrene Broumand (She/They) (@ameebroumand) 's Twitter Profile Photo

Absolutely thrilled to have two poems in the Summer 2025 issue of Georgia Review, which is out today! Thanks so much to the brilliant and generous editorial team for their willingness to work with me! ❤️thegeorgiareview.com/shop/issues/su…

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Announcing the Summer 2025 issue of The Georgia Review, featuring new work by Myronn Hardy, Erin Slaughter, Jess X Snow, Chris Crowder, Orlando Ricardo Menes, Asher Hartman, along with new translations of Ainur Karim and Hafsah Mujalli, and art by Nadezda Nikolova .

Announcing the Summer 2025 issue of The Georgia Review, featuring new work by Myronn Hardy, Erin Slaughter, Jess X Snow, Chris Crowder, Orlando Ricardo Menes, Asher Hartman, along with new translations of Ainur Karim and Hafsah Mujalli, and art by Nadezda Nikolova .
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Thank you Georgia Review for featuring my poem NIL in your summer issue! One of my favorites in my book, The Kin of Nakedness, out with Four Way Books March 2026! thegeorgiareview.com/posts/name-ima…

Thank you <a href="/GeorgiaReview/">Georgia Review</a> for featuring my poem NIL in your summer issue! One of my favorites in my book, The Kin of Nakedness, out with <a href="/FourWayBooks/">Four Way Books</a> March 2026! thegeorgiareview.com/posts/name-ima…
Judith Pascoe (@judithmpascoe) 's Twitter Profile Photo

Very grateful to the librarians Rose Library Emory for help with archive exploration that resulted in "A Good Mother Is Hard to Find" in Georgia Review thegeorgiareview.com/posts/a-good-m…

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Ainur Karim, translated from the Russian by Slava Faybysh, in our Summer 2025 issue. Read the entire story in print or online: bit.ly/4nLOIyr

Ainur Karim, translated from the Russian by Slava Faybysh, in our Summer 2025 issue. Read the entire story in print or online: bit.ly/4nLOIyr
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Asher Hartman in Summer 2025. Read the entire work of experimental theatre, as well as the introduction by Martin Harries, in print or online: bit.ly/3IBZgQQ

Asher Hartman in Summer 2025. Read the entire work of experimental theatre, as well as the introduction by Martin Harries, in print or online: bit.ly/3IBZgQQ
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Relapse is familiar as ink at my distal phalanx in the daily drama of the body. Viral loads spilling out over the edges of me... — “Crip time-loop pantoum” by heidi andrea restrepo rhodes, in Georgia Review & on our #DisabilityPrideMonth reading list: thegeorgiareview.com/posts/crip-tim…

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"When I first started making the abstract landscape photograms, I understood that, at least in part, the work has something to do with transcending a feeling of never having had a motherland," writes Nadezda Nikolova to CJ Bartunek. More in Summer 2025: bit.ly/3UoNM5u

"When I first started making the abstract landscape photograms, I understood that, at least in part, the work has something to do with transcending a feeling of never having had a motherland," writes Nadezda Nikolova to CJ Bartunek. More in Summer 2025: bit.ly/3UoNM5u