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Aluan Wang's Polypaths - now live 👇🪻

As artists, our role isn’t just to create works — it’s to shape new spaces for storytelling. To let the world see us, and in doing so, allow us to see ourselves anew.

More polypaths tip-03 To me, the greatest joy is when we uncover possibilities—even the ones the creator didn’t expect. 1. In Single-Object Mode, the system spawns clusters such as rock piles, grass tufts, or wood blocks. 2. When the canvas holds more than 20 dots, the chance

It can be a lively, blooming garden—or a quiet scene where the silence speaks. It’s all up to you. That’s the beauty of it.

Edition size has always been one of the most complex questions in art. Smaller editions mean rarity and speculation. Larger editions invite more people in — creating shared experiences, shifting the focus from ownership to engagement. I don’t have a clear answer.Trying

“In Polypaths, perspective is not a vanishing point, but a field of presence. Inspired by East Asian scroll aesthetics, the viewer’s gaze moves like a drifting breeze - layering time, rhythm, and botanical breath into a meditative whole.” ~ Aluan Wang

aluanwang.com/exploring-poly… Seeing so many people diving into polypaths honestly moves me deeply. Don’t miss out on these little tips— and please, share your own secret tricks with everyone too!

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Just a few days left—don’t miss your chance to grow your own aura garden!

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Polymaths actually has a hidden switch. When I was developing it, I added some secret UI layers to better observe how the plants grow. These features don’t normally show up on screen—but here’s the trick: Go full screen, then add &debug_1 through &debug_7 (or any number in

For me, the greatest success of this work comes from everyone’s participation. It is human consciousness itself that pushes the piece forward. I believe when an artist designs a system and breathes soul into it, and collectors choose the direction to set it in motion, that act

Polypaths | 植徑集

Polypaths | 植徑集 Secret Switch #2 During development, I kept thinking: beyond being printed, how should these works exist in virtual or digital environments—like VR? They shouldn’t just be static JPGs; they should feel alive. That’s why, if you add “&3d” at the end of the URL,