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Last week, I had the privilege to visit Equal Justice Initiative's new Freedom Monument Sculpture Park in Montgomery, Alabama. It's an object lesson in telling stories many people don't want to hear. wmagazine.com/culture/freedo…

A New Way of Looking at the Nude. The artists redefining portraits of the human body for a more inclusive age. By Julia Halperin nytimes.com/2024/04/03/t-m…

Artist Alex Katz: ‘This is the end game. It’s just sleep and paint’ Julia Halperin ft.com/content/58f98f… via @ft

The Venice Biennale begins this week. The New York Times goes through 8 hits of this year's festival. Choices by Jason Farago, Alex Marshall, Julia Halperin, @jilnotjill & Zachary Small. nytimes.com/2024/04/19/art…

"It feels especially repulsive to be lied to, manipulated and robbed by someone whose business model relied entirely on making you believe that they cared about you" Amazing investigation by Julia Halperin into alleged gallery fraud theartnewspaper.com/2024/04/30/fou…

Huge: Embattled Dealer Nino Mier to Close All Four of His Los Angeles Locations news.artnet.com/art-world/emba… scoop by Annie Armstrong after investigation by Julia Halperin

Hoping I’ll find the time I didn’t find last year-Food courts and pharmacies are Basel’s hottest new art spaces. The Parcours section under curator Stefanie Hessler is installing work in commercial spaces. By Julia Halperin #FreeToRead 1/2 #ArtBasel ft.com/content/dd37ae…

Thank you to Cultured Magazine and Julia Halperin for letting me ramble about art criticism with @johannafateman and Siddhartha Mitter culturedmag.com/article/2024/0…

The market for young artists was $712M in 2021. Then it shred 1/3 of its value. We took a hard look at speculation and the drop with the artists who felt the pain of the dip. Here is what Julia Halperin and I learned. Sharing with a gift link: nytimes.com/2024/08/18/art…

What Happens When Artists Start Going to Therapy? In a number of exhibitions on view this year, people are pushing back on the cliché of suffering being essential to art, embracing recovery and wellness instead. By Julia Halperin nytimes.com/2024/09/26/t-m…

A fucking deliciously long Cady Noland update. (gifting this article because hell yes) nytimes.com/2024/10/04/t-m…

The sculptor Scott Burton left his estate to MoMA when he was sick with AIDS. It seemed a way to assure his place in art history, but instead, the artist became invisible. Prices for his work plummeted, and site-specific projects have been altered. nyti.ms/3UsWj8h

"The story of Scott Burton is a story about how fragile, mutable and, to some degree, arbitrary art history is." A killer essay by Julia Halperin for The New York Times nytimes.com/2024/10/29/art…

“The story of Scott Burton is a story about how fragile, mutable and, to some degree, arbitrary art history is”—This by Julia Halperin is fascinating about legacy, the art market, public & corporate space, institutionalism, AIDS, “friends” and last things nytimes.com/2024/10/29/art…