Michael Peppard
@michaelpeppard
Professor @FordhamNYC | New book: How Catholics Encounter the Bible (2024), all other writings on my website | Trying to write a few decent songs too
ID: 1275636692
http://michaelpeppard.com 17-03-2013 18:10:51
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The December issue is here! Feat. - Jon Malesic on art and attention - James Chappel on W. H. Auden - Michael Peppard on Marian art - The Editors on Trump's return to the White House - Gerald W. Schlabach on honorable surrender & more! commonwealmagazine.org/issues/2024-11…
'Clothed With the Sun' Michael Peppard journeys through the long history of Marian art across time and space: commonwealmagazine.org/clothed-sun
"I was forced to reckon with a vexing question for a biblical scholar: In what ways are these images of Mary biblical?" — Michael Peppard commonwealmagazine.org/clothed-sun
As we approach "Three Kings Day," have you ever wondered how the "magi" or "wise men" became "kings?" Short excerpt from my new book in this week's The Tablet thetablet.co.uk/features/befor…
Some lovely books I’m reading by Roger Nam Michael Peppard Yii-Jan Lin and James W. barker for upcoming interviews on the Data Over Dogma Podcast podcast. If only my schedule weren’t such a mess.
Thanks to Commonweal Commonweal Magazine for having me on their podcast to talk about my new book 😊 Listen here or wherever you get your podcasts … commonwealmagazine.org/podcast/when-g…
It’s long been a truism that Catholics don’t actually read the Bible — at least not as much or in the same way as their Protestant brethren. But they still encounter it. An interview with our friend Michael Peppard: commonwealmagazine.org/podcast/when-g…
A mesmerizing new production of Richard Strauss’s Salome at the Metropolitan Opera offers viewers a violent, mind-bending staging of the biblical texts. Michael Peppard reviews: commonwealmagazine.org/dancing-free
First-time opera critic here, but I couldn't resist seeing how the new Metropolitan Opera production of Salome would imagine the characters and drama between the lines of the biblical story. Let me know what you think ...
"By the opera’s final words, when Herod commands the second of two lust-driven murders, we are left contemplating the psychological origins of the characters’ sins—and our own." Michael Peppard on the Metropolitan Opera's 'Salome': commonwealmagazine.org/dancing-free