Martin Lundqvist (@myriadmeanings) 's Twitter Profile
Martin Lundqvist

@myriadmeanings

Postdoc in media & communications @LundUniversity working on the politics and audiences of internet memes. Becky/he/him

ID: 1584547789291257856

linkhttps://orcid.org/0000-0003-3680-4820 calendar_today24-10-2022 14:10:12

108 Tweet

210 Followers

212 Following

Joanna Doona (@jdoona) 's Twitter Profile Photo

Our book on vaccine hesitancy is out - open access! In my chapter, I develop the idea of memes as ironic space, using pandemic memes to argue for contextualising approaches that account for active audiences and humorous ambiguity. doi.org/10.4324/978100…

Our book on vaccine hesitancy is out - open access! In my chapter, I develop the idea of memes as ironic space, using pandemic memes to argue for contextualising approaches that account for active audiences and humorous ambiguity.
doi.org/10.4324/978100…
Martin Lundqvist (@myriadmeanings) 's Twitter Profile Photo

Fortsätter på temat dumma frågor: Vad betyder det eg. om jag säger att jag har ”underskott på öl hemma”? Ligger jag på minus då? Är jag så att säga skyldig mitt hem öl? Mvh, sömnbedrövad 40+

Martin Lundqvist (@myriadmeanings) 's Twitter Profile Photo

Calling all meme scholars 👋! Me and the brilliant Joanna Doona are guest editing a special issue of Popular Communication on meme audiences. If you are working on these matters, we would love to hear from you! Deadline 15 September. More information in the 🔗: kom.lu.se/en/research/mk…

O C Norocel (@cristiannorocel) 's Twitter Profile Photo

🚨📢 SI collection “Technocultural worldings”, coordinated by Mia Liinason & myself, is now available as #earlyview in Feminist Media Studies. It contains 8 articles. SI Introduction which sets the wider theoretical framework is available #openaccess➡️: bit.ly/3xAkh9a

🚨📢 SI collection “Technocultural worldings”, coordinated by <a href="/LiinasonMia1/">Mia Liinason</a>  &amp; myself, is now available as #earlyview in <a href="/FemMediaStudies/">Feminist Media Studies</a>. It contains 8 articles. SI Introduction which sets the wider theoretical framework is available #openaccess➡️: bit.ly/3xAkh9a
Maria Perevedentseva (@_midnightmary_) 's Twitter Profile Photo

very very stoked to announce the CfP for MOCReN Lisbon 2025: Music and Online Cultures in a Changing Platform Ecosystem. 19–21 June 2025, NOVA University Lisbon all info here: mocren.org/lisbon2025/ please spread the word!

very very stoked to announce the CfP for MOCReN Lisbon 2025: Music and Online Cultures in a Changing Platform Ecosystem. 

19–21 June 2025, NOVA University Lisbon

all info here: mocren.org/lisbon2025/

please spread the word!
Martin Lundqvist (@myriadmeanings) 's Twitter Profile Photo

Here’s a friendly reminder that the deadline for submitting an abstract to our special issue on meme audiences is in two weeks ☝️. Please send us your best work and contribute to what promises to be an amazing issue of Popular Communication (Taylor & Francis) 🌊!

Martin Lundqvist (@myriadmeanings) 's Twitter Profile Photo

My article “A gathering with fire: exploring the audience reception of internet memes about Belfast riots” was published earlier this year. So now, naturally, I keep getting these spammy invites from the MDPI journal “Fire”. It really shows they’ve engaged with my work 🥲

My article “A gathering with fire: exploring the audience reception of internet memes about Belfast riots” was published earlier this year. So now, naturally, I keep getting these spammy invites from the MDPI journal “Fire”. It really shows they’ve engaged with my work 🥲
Martin Lundqvist (@myriadmeanings) 's Twitter Profile Photo

Why does Deutsche Bahn need to know my academic title when booking a train ticket? Is it in case of an epistemic emergency during the journey?

Why does Deutsche Bahn need to know my academic title when booking a train ticket? Is it in case of an epistemic emergency during the journey?