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Like a well-executed heist, Doug Liman's THE INSTIGATORS knows how to get in and get out with minimal fuss. Read Ross McIndoe's review. slantmagazine.com/film/the-insti…

Just started reading Quentin Tarantino's Cinema Speculation. Should have known this thing would be full of... ... footnotes.

James Marsh's DANCE FIRST seems content to merely adapt the “Personal Life” section of Samuel Beckett’s Wikipedia page. Read Ross McIndoe's review. slantmagazine.com/film/dance-fir…

BLUE SUN PALACE’s tale is filled with quiet spaces, and the way the texture of this quiet changes over the course of the film is a testament to its power. Read Ross McIndoe's #EIFF review. slantmagazine.com/film/blue-sun-…

In THE OUTRUN, Saoirse Ronan delivers a performance that’s rawer and rougher at the edges than perhaps anything else the actor has done to date. Read Ross McIndoe's #GFF25 review. slantmagazine.com/film/the-outru…

Netflix now so desperate for IP that they're adapting the fake books Roman Roy makes up at dinner parties.

As Edinburgh International Film Festival wraps up, a batch of EIFF reviews from us, including FIVE STARS for Abdolreza Kahani's A Shrine theskinny.co.uk/festivals/edin… [reviews by @onebigwiggle Carmen CP (also on 🏙️)]

The cunningly devised STRANGE DARLING wields our assumptions against us like a sharp implement. Read Ross McIndoe's review. slantmagazine.com/film/strange-d…

Zoë Kravitz’s BLINK TWICE somehow manages to show its hand too early while also playing its cards too close to its chest. Read Ross McIndoe's review. slantmagazine.com/film/blink-twi…

As promised by its title, Guillem Morales’s thriller THE WASP, starring Naomie Harris and Natalie Dromer, is a film with a stinger in its tail. Read Ross McIndoe's review. slantmagazine.com/film/the-wasp-…

#ThePerfectCouple delights in both concealing and revealing its characters' secrets. Read Ross McIndoe's review. slantmagazine.com/tv/the-perfect…

#FightNight uses a criminal case from 50 years ago to explore a critical moment in U.S. history. Read Ross McIndoe's review. slantmagazine.com/tv/fight-night…

The particulars of time travel in Michael Felker’s lo-fi sci-fi thriller THINGS WILL BE DIFFERENT give the whole thing a tactile quality. Read Ross McIndoe's review. slantmagazine.com/film/things-wi…

It quickly becomes clear that Greg Jardin’s IT'S WHAT'S INSIDE isn’t just here to dazzle us with visual trickery. Read Ross McIndoe's review. slantmagazine.com/film/its-whats…

In THE OUTRUN, Saoirse Ronan delivers a performance that’s rawer and rougher at the edges than perhaps anything else the actor has done to date. Read Ross McIndoe's review. slantmagazine.com/film/the-outru…

Hulu's #LaMaquina boasts the same relentless energy as Gael García Bernal’s eponymous boxer. Read Ross McIndoe's review. slantmagazine.com/tv/la-maquina-…

The answers that Peacock's #TEACUP doles out are a lot less interesting than the questions. Read Ross McIndoe's review. slantmagazine.com/tv/teacup-revi…

Going by UK dates: