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ngl Gabriel Attal is kinda kyoot apnews.com/article/france…

BREAKING: The “few bad apples” line pushed by the UN has just been obliterated. The Wall Street Journal front page is reporting that an estimated 1,200 Unrwa employees in Gaza are actual “operatives” of Hamas or Palestinian Islamic Jihad, and about half have close relatives who

Female Hunter S. Thompson i did listen to it, and i care because i have empathy for performers

I eagerly await a blessedly quiet summer, but also am looking to take on some freelance work. Does anyone need a Sibelius engraver?

An Easter essential, Nico Muhly’s absorbing set of meditations on the 14 stations of the cross, The Street (2022), given in its solo harp version, luminously performed by Parker Ramsay, and in full setting, with Alice Goodman’s poignant text and King's College Choir plainchant.

Met Christopher Cerrone in the flesh at a Eurotrash concert WOW

Ummm...actually no. He's uptown, at Metropolitan Opera, aunque todavía un niño

Taking my #destiny into my own hands

Oh no! I miscounted! (courtesy of Holly Sedillos, who never loses her place)

Pretty sure one of the best listening experiences I’ve had lately was that ascending a hill (aboard clown car) in Crete while listening to John Adams’s Shaker Loops on Greek classical radio (which seems to have an obsession with this music this week?!?)

Out now — David Fulmer: immaculate sigh of stars Featuring violinist Stefan Jackiw, cellist Jay Campbell, pianists conrad tao, Conor Hanick, Nathan Ben-Yehuda & León Bernsdorf, percussionist Mike Truesdell, Horszowski Trio & harpist Parker Ramsay newfocusrecordings.bandcamp.com/album/immacula…

I can’t believe they doxxed that guy for having a hot wife

my essay on why we need #newmusic for the #harp nytimes.com/2025/04/15/art… via @NYTimes

The main lesson of the Holocaust today seems to be how some people really love bringing up the Holocaust at any opportunity to accuse their political enemies of being literal Nazis while weirdly being total moral Nazis themselves

The harpist Parker Ramsay writes about how expanding his instrument’s repertoire takes months of practicing, experimentation and personal sacrifices. But it has made him believe in possibility. nyti.ms/3RNyPsq