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@lawsonlouise1 and Tony Conrad’s Ten Years Alice on the Infinite plain Tate Liverpool #reshapingthecollectible #flexfutureTBMA

A full list of speakers and a schedule for all three days of the conference are available via this link, as well as registration details if you’re yet to book. Tickets are free and the whole conference is online #ReshapingTheCollectible tate.org.uk/whats-on/onlin…

Today's second session ‘Beyond an Archival Impulse’, coming up at 3.25pm (BST) - last-minute registrations welcome - full details are here: tate.org.uk/whats-on/onlin… #ReshapingTheCollectible

In the conversation w/ Libby Ireland & Jack McConchie (Jack McConchie), artist Ima-Abasi Okon mentioned key learning moments about the nuances of the long-term care of art, & seeing attention to works (incl. Barbara Hepworth) in the conservation lab Tate #reshapingthecollectible

this discussion as part of #reshapingthecollectible is about inherited practices (in the museum) and I've just heard the word "begrudgement"; artist Ima-Abasi Okon asks, how we can support each other to "do well" without imposing an obligation?

Artist Gala Porras-Kim now considers ‘the agency of historical objects that continue their perpetual function despite their current condition in historical collections’, and instances museum staff becoming implicated beyond an object’s care and display #ReshapingTheCollectible

Gala Porras-Kim is also talking about materials that are hanging around 'waiting' to become artworks (i.e. Dan #Flavin flourescent tube lights) and artworks which decay while on exhibit. I LOVE works like this (to use a word from our first panel #ReshapingTheCollectible) #lively

Richard Kearney is talking about radical hospitality in relation to the museum and its potential assimilation of art... I am reminded of a talk that Charlie Gere gave here @tate about #netArt... hang on for a link on archived intermedia art webpage? ;-) #reshapingthecollectible

Our @HeliaMarcal will convene the session "Rethinking Memory Towards Radical Museum Futures". #ReshapingTheCollectible

Looking forward to this tomorrow! Rethinking Memory Towards Radical Museum Futures at 12.05 BST: How does our idea of the future affect how we think about the transmission of contemporary art? How do memory ecologies contribute to those possible futures? #ReshapingTheCollectible

the discussion with Val Ravaglia has brought up the unwanted sensory effects of artworks (sounds, smells) not only on visitors but on front of house staff in the galleries. we are well into the arena of #unruly, #lively, and #uncomfortable artworks #reshapingthecollectible

Very much enjoying #reshapingthecollectible conference Tate Research. About to convene a session with Fernando Domínguez Rubio and #hannahgeddes about making the invisible visible, and am reading #sanchitabalachandran about the museum of the future: hyperallergic.com/659942/welcome…

This morning’s ‘Copies for Climate’ workshop is up and running. Following yesterday’s conversations about artwork replication, @Henry_McGhie (Curating Tomorrow) and Jacob Chu (@Co2action1) are sharing research and hosting discussions around the environmental impact of replication

The final session is a special performance by Guillermo Gómez-Peña Guillermo Gómez-Peña followed by a retreat to write your own letter to the museums of the future, facilitated by Emma Tramposch, Managing Director & Curator of the Living Archives, La Pocha Nostra #ReshapingTheCollectible

Guillermo Gómez-Peña’s invitation: “I invite you, dear foreigner in my performance country, to dream with me... coexisting in synergy with nature, radical imagination and community – your surrounding multiple communities. Do you have ideas to propose for a museum of the future?”

really wonderful panel about #discomfort with the wonderful Sanchita Balachandran (@sanchita_writes) which talked about the survival of culture even if museums are underwater - taking a #longview on #slowdisasters #ReshapingTheCollectible

Hard at work as instructed by Guillermo Gómez-Peña writing our letters to the museum of the future here in the Taylor Digital Studio with Pip Laurenson, Rebecca Sinker and Mike Wellan Tate Tate Research #ReshapingTheCollectible

Opportunity for creative and cultural sector partnerships lead UCL ⁦EnterpriseUCL⁩ ⁦to work with UCL School for the Creative & Cultural Industries⁩ amongst other stakeholders #creativejobs #creativeandculturalsector atsv7.wcn.co.uk/search_engine/…

Did you go to secondary school in East London or do you live in East london? Are you interested in studying to become a conservator for contemporary art and media? ucl.ac.uk/art-history/ms… Check out this funding opportunity!