Porter House Review (@porterhouselit) 's Twitter Profile
Porter House Review

@porterhouselit

The official literary journal of Texas State University’s MFA program in Creative Writing @txstenglish | Learn more @txstmfa | Submissions: open!

ID: 2448031021

linkhttp://porterhousereview.org calendar_today16-04-2014 20:58:10

2,2K Tweet

5,5K Followers

1,1K Following

Porter House Review (@porterhouselit) 's Twitter Profile Photo

"An interest in nudism and nudity is an interest in the animal part of our body that wants to feel the sun on our skin, that wants to be natural in the world, naked as we were born." from Mark Bessen's interview with Justin Torres. Read more via link porterhousereview.org/articles/justi…

"An interest in nudism and nudity is an interest in the animal part of our body that wants to feel the sun on our skin, that wants to be natural in the world, naked as we were born."

from Mark Bessen's interview with Justin Torres.

Read more via link
porterhousereview.org/articles/justi…
Porter House Review (@porterhouselit) 's Twitter Profile Photo

"Marie imagines the robbers breaking in and finding her as she is: staring at the windowpane, a book drooping out of her hand. She imagines herself flicking on the lamp, calm as a cloud..." from Peter Schlachte's fiction piece, "Wings". Read more via porterhousereview.org/articles/wings/

"Marie imagines the robbers breaking in and finding her as she is: staring at the windowpane, a book drooping out of her hand. She imagines herself flicking on the lamp, calm as a cloud..."

from Peter Schlachte's fiction piece, "Wings".

Read more via
porterhousereview.org/articles/wings/
Porter House Review (@porterhouselit) 's Twitter Profile Photo

"before love is cartooned worthy of honour, before lawyers bind grief into forms where careful records make up for absence" from Roy Wang's poetry piece, "Oratorio for three voices". Read from via porterhousereview.org/articles/orato…

"before love is cartooned worthy of honour,
before lawyers bind grief into forms
where careful records make up for absence"

from Roy Wang's poetry piece, "Oratorio for three voices".

Read from via
porterhousereview.org/articles/orato…
Porter House Review (@porterhouselit) 's Twitter Profile Photo

We're so excited to announce the results of our 2025-2026 Editor's Prize Fiction Winner: "Wings" by Peter Schlachte! Congratulations to our finalists and thank you to our judge, Rebecca Makkai! Stay tuned for our nonfiction and poetry winners coming soon!

We're so excited to announce the results of our 2025-2026 Editor's Prize Fiction Winner: "Wings" by Peter Schlachte! Congratulations to our finalists and thank you to our judge, Rebecca Makkai!  

Stay tuned for our nonfiction and poetry winners coming soon!
Porter House Review (@porterhouselit) 's Twitter Profile Photo

"A carrot, a turnip, my tumor: objects that can reach fifteen centimeters without being too much. I grew the tumor slowly, the way a woman cradles a pregnancy inside her, long and slow until the baby is ripe." from Tomilyn Hannah Rupert's fiction piece, "Wapping Station".

"A carrot, a turnip, my tumor: objects that can reach fifteen centimeters without being too much. I grew the tumor slowly, the way a woman cradles a pregnancy inside her, long and slow until the baby is ripe."

from Tomilyn Hannah Rupert's fiction piece, "Wapping Station".
Porter House Review (@porterhouselit) 's Twitter Profile Photo

" The myths are logged in our collarbones, travel through our mid riffs. Our stomachs learn to home mythologies as prayer." from Sneha Subramanian Kanta's poetry piece, "Mythologies".

" The myths are logged in our collarbones,
travel through our mid riffs. Our stomachs
learn to home mythologies as prayer."

from Sneha Subramanian Kanta's poetry piece, "Mythologies".
Porter House Review (@porterhouselit) 's Twitter Profile Photo

In our Nonfiction category, our winner is "Wichita Falls" by Joshua Forehand! Congratulations to our finalists-Sneha Subramanian Kanta, Mwanabibi Sikamo, Jessica Kim, and Celia Chandler! And thank you to our nonfiction judge, Maurice Chammah! Stay tuned for our poetry winner!

In our Nonfiction category, our winner is "Wichita Falls" by Joshua Forehand! Congratulations to our finalists-Sneha Subramanian Kanta, Mwanabibi Sikamo, Jessica Kim, and Celia Chandler!

And thank you to our nonfiction judge, Maurice Chammah! Stay tuned for our poetry winner!
Porter House Review (@porterhouselit) 's Twitter Profile Photo

To finish off our PHR's 2024-2025 Editor's Prize Winners, our winner for poetry is "Inverse Ghazal" by Aman Rahman! Congratulations to our finalists: Gosepel Chinedu, Jennifer Handy, Obasiota Ibe, Timi Sanni, and Martins Deep. And thank you to our poetry judge, Romeo Oriogun!

To finish off our PHR's 2024-2025 Editor's Prize Winners, our winner for poetry is "Inverse Ghazal" by Aman Rahman! 
Congratulations to our finalists: Gosepel Chinedu, Jennifer Handy, Obasiota Ibe, Timi Sanni, and Martins Deep. 
And thank you to our poetry judge, Romeo Oriogun!
Porter House Review (@porterhouselit) 's Twitter Profile Photo

"My poetry is most concerned with connectivity. " from Devyne Byrd's interview piece, "On Centering Connectivity: A Conversation with Amanda Johnston" Read more via link porterhousereview.org/articles/on-ce…

"My poetry is most concerned with connectivity. "

from Devyne Byrd's interview piece, "On Centering Connectivity: A Conversation with Amanda Johnston"

Read more via link 
porterhousereview.org/articles/on-ce…
Porter House Review (@porterhouselit) 's Twitter Profile Photo

"My God, I even name-dropped Audre Lorde in the most obnoxious demonstration of too-cool-for-Chaucer antics that I thought possible for myself." from Raven Reese's field notes piece, "On Being "Under-Read" Read more via link porterhousereview.org/articles/on-be…

"My God, I even name-dropped Audre Lorde in the most obnoxious demonstration of too-cool-for-Chaucer antics that I thought possible for myself."

from Raven Reese's field notes piece, "On Being "Under-Read"

Read more via link
porterhousereview.org/articles/on-be…
Porter House Review (@porterhouselit) 's Twitter Profile Photo

"Sensuously, carefully, like any pressure would till his skin and give way to pores that would erode the glow he'd struggled so hard to cultivate." from Enyinna Nnabuihe's fiction piece, "The Anatomy of a Boy Who Never Became a Man" Read more via link porterhousereview.org/articles/the-a…

"Sensuously, carefully, like any pressure would till his skin and give way to pores that would erode the glow he'd struggled so hard to cultivate."

from Enyinna Nnabuihe's fiction piece, "The Anatomy of a Boy Who Never Became a Man"

Read more via link 
porterhousereview.org/articles/the-a…
Porter House Review (@porterhouselit) 's Twitter Profile Photo

"The question carried across the unlit living room from the recliner end of a forest green sectional. The venetian blinds behind her concealed the sunset over the lake. She was indifferent to sunsets." from Joshua Forehand's piece, "Wichita Falls'. Link porterhousereview.org/articles/wichi…

"The question carried across the unlit living room from the recliner end of a forest green sectional. The venetian blinds behind her concealed the sunset over the lake. She was indifferent to sunsets."

from Joshua Forehand's piece, "Wichita Falls'.

Link
porterhousereview.org/articles/wichi…
Porter House Review (@porterhouselit) 's Twitter Profile Photo

"Look at me look at you. Look: how every corner in this room points to us." from Aman Rahman's poetry piece, "Inverse Ghazal". Read more via link below porterhousereview.org/articles/inver…

"Look at me look at you. Look: how every corner in this room points to us."

from Aman Rahman's poetry piece, "Inverse Ghazal".

Read more via link below
porterhousereview.org/articles/inver…
Porter House Review (@porterhouselit) 's Twitter Profile Photo

"There was once a girl who overwatered her plants because she didn’t know when to stop giving." from Nala Washington's interview piece, "I'm Either Drowning or Swimming: A Conversation with Spoken Word Artist Ebony Stewart" Read more via link in bio

"There was once a girl who overwatered her plants because she didn’t know when to stop giving."

from Nala Washington's interview piece, "I'm Either Drowning or Swimming: A Conversation with Spoken Word Artist Ebony Stewart"

Read more via link in bio
Porter House Review (@porterhouselit) 's Twitter Profile Photo

"Language, then, is sanctified yet secular—capable of building and breaking, liberating and limiting in equal measure." from Divine Byrd's interview piece, "Are You Listening? : A Study of Enyinna Nnabuihe’s The Anatomy of a Boy Who Never Became a Man" Read more via link in bio

"Language, then, is sanctified yet secular—capable of building and breaking, liberating and limiting in equal measure."

from Divine Byrd's interview piece, "Are You Listening? : A Study of Enyinna Nnabuihe’s The Anatomy of a Boy Who Never Became a Man"

Read more via link in bio
Porter House Review (@porterhouselit) 's Twitter Profile Photo

"I trust you, I replied, which was the same mistake I’d made all thirteen years we were together." from Eric Rasmussen's fiction piece, "Underworld Party (with Goats)". Read more via link porterhousereview.org/articles/under…

"I trust you, I replied, which was the same mistake I’d made all thirteen years we were together."

from Eric Rasmussen's fiction piece, "Underworld Party (with Goats)". 

Read more via link porterhousereview.org/articles/under…
Porter House Review (@porterhouselit) 's Twitter Profile Photo

"my father’s / body is an intersection of many borders. he found / home in the wrong countryside." from Gospel Chinedu's poetry piece, "Psalm 191 or How I Test Run Faith At The Edge Of A Switchblade". Read more via link porterhousereview.org/articles/psalm…

"my father’s / 
body is an intersection of many borders. he found / 

home in the wrong countryside."

from Gospel Chinedu's poetry piece, "Psalm 191 or How I Test Run Faith At The Edge Of A Switchblade".

Read more via link 
porterhousereview.org/articles/psalm…