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Maggie Foyer reports on Youth Company of #FinnishNationalBallet, appearing in Next Generation Festival at the Royal Ballet and Opera Royal Ballet And Opera. "When this excellent technical base meets the vibrant creativity of the Youth Company, it’s an explosive mix." seeingdance.com/youth-company-…

In a couple of weeks, LondonChildrenBallet bring a brand new production to London's Peacock Theatre: 'Ella's Big Chance: A Jazz-Age Cinderella', with choreography by #KristenMcNally. David Mead looks ahead, and talks with dancers Gina Harris-Sullivan and Toby Gray. seeingdance.com/london-childre…

Jeannette Andersen reviews Bayerisches Junior Ballett München in Marco Goecke's 'Devil's Kitchen' and 'Das Triadische Ballett', perhaps the only ballet ever to achieve world fame even though nobody really knows what it looked like." seeingdance.com/the-triadic-ba…

From #Muffatwerk #Munich, Jeannette Andersen reviews BORDA by #LiaRodrigues. "What mostly got to me were the long stretches with no sound... It created an unexpected awareness... and anticipation of what was to come, and it changed the perception of time." seeingdance.com/lia-rodrigues-…

Maggie Foyer reports on the London debut of the #ParisOperaJuniorBallet (Opéra de Paris) in a programme of four works by Balanchine, Béjart, López Ochoa and Martinez at the Royal Ballet and Opera seeingdance.com/paris-opera-ju…

"A fine evening, full of variety, colour and wonderful dance; a couple of hours to put a smile on anyone’s face." David Mead on 'Rodgers and Hammerstein's Dream Ballets: A Triple Bill" Regents Park Open Air Theatre London. seeingdance.com/rodgers-hammer…

"One of these rare performances that made you dance all the way home." Jeannette Andersen reviews Compagnie #AmalaDianor at @Muffatwerk, #Munich, ahead of their appearance at Colours International Dance Festival, Stuttgart. seeingdance.com/amala-dianor-m…

"I can’t think of a single thing that I would want to change... The dancing, choreography and immersive visuals are all outstanding." Nicola Claire on Quadrophenia at Sadler's Wells seeingdance.com/quadrophenia-a…

Jeannette Andersen in conversation with Sol Leon and Paul Lightfoot about their curated ‘Sphären' programme at the Bayerisches Bayerisches Staatsballett seeingdance.com/leon-lightfoot…

David Mead on the world premiere of #akramkhan #turningofbones for #GauthierDance at the #ColoursIntDanceFestival at the Theaterhaus Stuttgart seeingdance.com/gauthier-dance…

Fusing traditional Indian dances with voguing, electro and waacking? Yes! And to great effect! Just one element of the incredibly full of life 'Level Up' by Compagnie #AmalaDianor, seen by David Mead at Colours Int Dance Festival, Stuttgart. seeingdance.com/amala-dianor-m…

More from the #Colours International Dance Festival in #Stuttgart as David Mead reviews Gravity&OtherMyths - Gravity & Other Myths in 'Ten Thousand Hours'. seeingdance.com/gravity-and-ot…

"ZooNation Youth is quality across the board. With talent of this ilk, the future of hip-hop looks very exciting indeed." Nicola Claire reports on ZooNation: The Kate Prince Company Youth in the Next Generation Festival at the Royal Ballet and Opera. seeingdance.com/zoonation-yout…

#GaladeDanza had its first London performances last week. Maggie Foyer reports on a varied evening, in every sense, at Central Hall Westminster. seeingdance.com/gala-de-danza-…

As LondonCityBallet are about to open their 2025 UK 'Momentum' tour, Maggie Foyer talks to artistic director #ChristopherMarney about the ballets and dancers audiences will see. seeingdance.com/london-city-ba…

"A super evening" David Mead reviews London Children's Ballet - LondonChildrenBallet - in 'Ella's Big Chance: A Jazz-Age Cinderella', and new take on an old tale with choreography by #KristenMcNally. seeingdance.com/london-childre…

From Berlin, Veronica Posth reviews NDT in #FiguresinExtinction by #CrystalPite and #SimonMcBurney at the Deutsche Oper. seeingdance.com/nederlands-dan…

"A completely bazaar, frenzied, pornographic, nonsense show. It’s also oddly compulsive." Nicola Claire on 'No President' by #NatureTheater of Oklahoma (actually from New York) at the Southbank Centre London. seeingdance.com/nature-theater…

"Nicely tongue in cheek, Magnificat is magnificent. A joy and a dance that, like all the best, leaves you wanting more." David Mead on Compagnie CIE MARIE CHOUINARD at the #ColoursDanceFestival. Stuttgart seeingdance.com/compagnie-mari…

Nicola Claire reports on this year's The Royal Ballet School Summer Performance Royal Ballet and Opera (Royal Ballet & Opera). "It is the dancers who ultimately make it what it is. And this year’s performance was, without a shadow of a doubt, great." seeingdance.com/royal-ballet-s…