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Erin Julian reviews Crow’s Theatre’s 2024 production of The Land Acknowledgement or As You Like It, created by Cliff Cardinal. 🎭: mirvish.com/shows/the-land… 📰: muse.jhu.edu/pub/1/article/… 📷: Dahlia Katz

Liesl Jensen reviews the Colorado Shakespeare Festival’s 2024 production of Arden of Faversham. 🎭: cupresents.org/performance/29… 📰: muse.jhu.edu/pub/1/article/… 📷: Jennifer M. Koskinen

Anna Kamaralli reviews Sport for Jove’s 2024 production of I Hate People; or Timon of Athens, dir. Margaret Thanos. 🎭: sportforjove.com.au/timon-of-athen… 📰: muse.jhu.edu/pub/1/article/… 📷: Kathy Luu

Burak Urucu reviews Moda Sahnesi’s 2024 production of Othello, dir. Kemal Aydoğan. 🎭: modasahnesi.com/events/othello/ 📰: muse.jhu.edu/pub/1/article/… 📷: Orçun Kaya

Dan Venning reviews Patrick Page’s 2023 production of All the Devils are Here, dir Simon Godwin. 🎭: allthedevilsplay.com 📰: muse.jhu.edu/pub/1/article/… 📷: Julieta Cervantes

Dan Venning reviews FRIGID New York, Something from Abroad, and Quemoción’s 2023 production of Hamlet: La Telenovela, dir. Federico Mallet. 🎭: frigid.nyc/something-from… 📰: muse.jhu.edu/pub/1/article/… 📷: Miguel Garzón Martínez

Vanessa I. Corredera reviews the Globe’s 2024 production of Much Ado About Nothing, dir. Sean Holmes. 🎭: shakespearesglobe.com/whats-on/much-… 📰: muse.jhu.edu/pub/1/article/… 📷: Marc Brenner