Lawrence Lek
@sinofuturism
artist & filmmaker @Time AI 100
ID: 816006658765836288
https://linktr.ee/lawrencelek 02-01-2017 19:42:02
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Ooooff when I tell you this conversation between sougwen 愫君 Mat Dryhurst Lawrence Lek and Anhar Salem was explosive! Curated by the great Shumon Basar - a real delight
Ahead of my first US show Hammer Museum opening this week, here's an in-depth interview with Ramon Amaro. TQ AXEL
“I chose AI protagonists because I feel kinship with that alienation, with unrealized potential that is both utopian and quotidian…” Lawrence Lek in conversation with Ramon Amaro at Tate 🦾
4. What we've been reading and watching this week: Monk Antony: Autoencoding Blade Runner: reconstructing films with artificial neural networks by Terence Broad researchgate.net/publication/31… conrad house (nemocake.tez): THE INTERVIEW | LAWRENCE LEK by Right Click Save Lawrence Lek Ramon Amaro
From Lawrence Lek and Hammer Museum, an immersive installation that steeps viewers in a world where self-driving cars have minds, memories — and mental health issues (via @forbes) forbes.com/sites/leslieka…
here are some thoughts on two projects about self-driving cars recently presented by LA museums: NOX: High-Rise by Lawrence Lek (Lawrence Lek) at the Hammer and Becoming Auto by Lauren Lee McCarthy (Lauren Lee McCarthy) at LACMA
New exhibition of Hyperdub producer and artist Lawrence Lek's brilliant films at Goldsmiths CCA on now: goldsmithscca.art/exhibition/law…
Wrote a chapter in this new Urbanomic book also feat. Benjamin Bratton, Anna Greenspan, Undead Qdnoktsqfr, bogna, Blaise Agüera (@blaiseaguera.bsky.social), Chen Qiufan, Vincent Garton, Steve Goodman, Yvette Granata, Lawrence Lek, 李开诚 Lukáš Likavčan, Reza Negarestani, and heaps moreeee
🇬🇧London Digital Art Guide🇬🇧 by Hannah Redler-Hawes, AXEL, Corinna Gardner, Melanie Lenz, Clara, robertalice, (Abi)gail & Monk Antony Our curated overview of LDN's digital art scene ➡️lerandom.art/editorial/lond…⬅️ Mentions: Outernet London Institute of Contemporary Arts
“Machine intelligence doesn’t transcend human fragility but echoes and amplifies it.” Nora N. Khan reviews Lawrence Lek’s NOX High-Rise at Hammer Museum, up until 11/16, in LARA no. 2. nyra.nyc/articles/cars-…