Tomisin Adepeju (@tadepeju) 's Twitter Profile
Tomisin Adepeju

@tadepeju

i write and direct films | represented by @unitedagents | also @dailiesfilm

ID: 1620330571

linkhttps://www.instagram.com/tomisinadepeju/ calendar_today25-07-2013 12:59:16

15,15K Tweet

3,3K Followers

945 Following

Anthony Vander (@anthonyvander_) 's Twitter Profile Photo

Please come down tomorrow. Festival is on all day. This is the beginning of something special. Our first ever year. #CFFL25 …ticket-navigator-office307.replit.app

Please come down tomorrow. Festival is on all day. This is the beginning of something special. Our first ever year. #CFFL25
…ticket-navigator-office307.replit.app
Tomisin Adepeju (@tadepeju) 's Twitter Profile Photo

Body and Soul (1947) is a visceral, emotional knockout! A stirring, complex noir that ruminates on boundless ambition, money and power! Dense, layered characterisations and a compelling central performance by John Garfield! Up there with some of the best boxing films ever made!

Body and Soul (1947) is a visceral, emotional knockout! A stirring, complex noir that ruminates on boundless ambition, money and power! Dense, layered characterisations and a compelling central performance by John Garfield! Up there with some of the best boxing films ever made!
Tomisin Adepeju (@tadepeju) 's Twitter Profile Photo

River's Edge (1986) is quietly groundbreaking! It takes such wild tonal swings that pays off brilliantly - it really shouldn’t work but it does - teen angst enmeshed within a dark, disturbing tale complete with unsettling crime scenes & dysfunctional familial anguish…incredible!

River's Edge (1986) is quietly groundbreaking! It takes such wild tonal swings that pays off brilliantly - it really shouldn’t work but it does - teen angst enmeshed within a dark, disturbing tale complete with unsettling crime scenes & dysfunctional familial anguish…incredible!
Tomisin Adepeju (@tadepeju) 's Twitter Profile Photo

Jean Cocteau once said that everytime he makes a film, it is a ā€œsleep in which he is dreamingā€ - this sentiment is emblematic of his final film The Testament of Orpheus (1960) - a dazzling, mesmerising fable that conjures up this magical, otherworldliness I found breathtaking!

Jean Cocteau once said that everytime he makes a film, it is a ā€œsleep in which he is dreamingā€ - this sentiment is emblematic of his final film The Testament of Orpheus (1960) - a dazzling, mesmerising fable that conjures up this magical, otherworldliness I found breathtaking!
Kemi Lala Akindoju (@lalaakindoju) 's Twitter Profile Photo

Actors go register for my masterclass. I’ll be teaching global casting strategies, providing tools you need to move your career from local to global. Use the LALA50 code to get a discount. I’m really looking forward to it.

A T M (@abbatmakama) 's Twitter Profile Photo

I will be in Brazil presenting my documentary film THE KIDS ARE OKAY in September at Mostra de Cinemas Africanos / Brazil African Film Festival. I will also present seven short films that represent the new voices and aesthetics of Nigerian cinema.

I will be in Brazil presenting my documentary film THE KIDS ARE OKAY in September at Mostra de Cinemas Africanos / Brazil African Film Festival. I will also present seven short films that represent the new voices and aesthetics of Nigerian cinema.
Japan Society Film (@js_film_nyc) 's Twitter Profile Photo

Harvard Film Archive's official poster for their ongoing Mikio Naruse retrospective—the largest Naruse retrospective to date featuring newly-struck 35mm prints!

Harvard Film Archive's official poster for their ongoing Mikio Naruse retrospective—the largest Naruse retrospective to date featuring newly-struck 35mm prints!
Tomisin Adepeju (@tadepeju) 's Twitter Profile Photo

Francois Truffaut’s haunting exploration of unrequited affection is a really profound, extraordinary achievement! Isabelle Adjani is absolutely incredible in The Story of Adele H. (1975) as the daughter of Victor Hugo, driven by a deep, relentless obsession that enraptures her…

Francois Truffaut’s haunting exploration of unrequited affection is a really profound, extraordinary achievement! Isabelle Adjani is absolutely incredible in The Story of Adele H. (1975) as the daughter of Victor Hugo, driven by a deep, relentless obsession that enraptures her…
Tomisin Adepeju (@tadepeju) 's Twitter Profile Photo

H. Bruce Humberstone’s I Wake up Screaming (1941) is noir at its absolute finest! It takes the conventions of the genre and plays with audience’s expectations, the film is also an illuminating love letter to New York, the city, a breathless colourful character! Really loved this!

H. Bruce Humberstone’s I Wake up Screaming (1941) is noir at its absolute finest! It takes the conventions of the genre and plays with audience’s expectations, the film is also an illuminating love letter to New York, the city, a breathless colourful character! Really loved this!
Tomisin Adepeju (@tadepeju) 's Twitter Profile Photo

60 years on, Tony Richardson’s Look Back in Anger (1959) remains a timely, potent and revelatory piece of cinema! Class, race & familial discontent brilliantly interrogated. Can’t stop thinking about Richard Burton’s explosive & searing performance. Leaves an indelible mark!

60 years on, Tony Richardson’s Look Back in Anger (1959) remains a timely, potent and revelatory piece of cinema! Class, race & familial discontent brilliantly interrogated. Can’t stop thinking about Richard Burton’s explosive  & searing performance. Leaves an indelible mark!
cinesthetic. (@thecinesthetic) 's Twitter Profile Photo

Francesca Scorsese says her father, Martin Scorsese, sometimes watches his films as though he’s never seen them before: ā€œSomething will happen and he’ll be like, ā€˜Ha! That’s great.’ And I’m like, ā€˜You literally made this.ā€™ā€

Francesca Scorsese says her father, Martin Scorsese, sometimes watches his films as though he’s never seen them before:

ā€œSomething will happen and he’ll be like, ā€˜Ha! That’s great.’ And I’m like, ā€˜You literally made this.ā€™ā€
Theresa Lola (@theresa_lola) 's Twitter Profile Photo

My poetry collection Ceremony for the Nameless has been shortlisted for the Derek Walcott Prize for Poetry! I’m honoured by this recognition. Love to the fellow shortlisted poets!

My poetry collection Ceremony for the Nameless has been shortlisted for the Derek Walcott Prize for Poetry! 

I’m honoured by this recognition. Love to the fellow shortlisted poets!
Tomisin Adepeju (@tadepeju) 's Twitter Profile Photo

Can’t stop thinking about William Dieterle’s melodramatic fable All that Money Can Buy (1941) - the verse comes to mind ā€œwhat does it profit a man if he gains the whole world and loses how own soulā€ - dark, unsettling piece complimented by Bernard Herrmann's extraordinary score!

Can’t stop thinking about William Dieterle’s melodramatic fable All that Money Can Buy (1941) - the verse comes to mind ā€œwhat does it profit a man if he gains the whole world and loses how own soulā€ - dark, unsettling piece complimented by Bernard Herrmann's extraordinary score!
Tomisin Adepeju (@tadepeju) 's Twitter Profile Photo

Zeinabu irene Davis’ spellbinding Compensation (1999) is a film I’ve been wanting to catch for a while! I found it deeply moving, a multifaceted interrogation of love, race & inclusion across different timelines - she tackles weighty themes with a quiet, poignant sensibility!

Zeinabu irene Davis’ spellbinding Compensation (1999) is a film I’ve been wanting to catch for a while! I found it deeply moving, a multifaceted interrogation of love, race & inclusion across different timelines - she tackles weighty themes with a quiet, poignant sensibility!