WelcomeToTheAbyss(@Youtube) (@theabyss369) 's Twitter Profile
WelcomeToTheAbyss(@Youtube)

@theabyss369

Grok says:

@TheAbyss369's posts weave a tapestry of alternative history, cultural identity, and political critique, often challenging conventional narratives.

ID: 1763908033304801280

linkhttp://www.youtube.com/@WelcomeToTheAbyss369 calendar_today02-03-2024 12:44:47

6,6K Tweet

1,1K Followers

814 Following

DeepWebSlinger (@deepwebslinger) 's Twitter Profile Photo

I'm a little disappointed, I'll be honest. I post a lot of free energy devices, machines, perpetual motion, and all sorts of different designs from ingenious people. Yet, it brings stupid comments from Sheople, paid shills, trolls, and finally, bots. I will keep trying and

Louise. McKenna (@_louise__) 's Twitter Profile Photo

WelcomeToTheAbyss(@Youtube) "Oliver Cromwell slaughtered the Irish Catholics and sold what was left into slavery in the Caribbean. He opened the gates to England for jews around 1654 at the same time Dutch slave trading jews went to New Amsterdam (NYC) from Brazil. Before this time there were no slaves in

Nick Delehanty (@nick_delehanty) 's Twitter Profile Photo

Protect freedom of speech at all costs. Last week the Mary Wallopers signed a petition to cancel a music in festival in Leitrim because they decided it was “far right” This week the Mary Wallopers’ own concert got axed because it was deemed to be a political protest on

Protect freedom of speech at all costs. 

Last week the Mary Wallopers signed a petition to cancel a music in festival in Leitrim because they decided it was “far right”

This week the Mary Wallopers’ own concert got axed because it was deemed to be a political protest on
WhatdoIknow (@earstohearyou) 's Twitter Profile Photo

CYCLE... is a CIRCLE. In The Universal One, Walter Russell illustrated a TEN-OCTAVE progression of the elements, symbolising a full wave CYCLE from Alphanon to Omeganon. In his later work, A New Concept of the Universe, he refined this to NINE OCTAVES, recognising that Alpha

CYCLE... is a CIRCLE.

In The Universal One, Walter Russell illustrated a TEN-OCTAVE progression of the elements, symbolising a full wave CYCLE from Alphanon to Omeganon. 

In his later work, A New Concept of the Universe, he refined this to NINE OCTAVES, recognising that Alpha
Open Minded Approach (@omapproach) 's Twitter Profile Photo

The billionaires have been preparing for the collapse since 2016, and this is the dark truth! 🤯 The question: 'But how would they pay the guards once money was worthless? What would stop the guards from choosing their own leader?' The answer: 'The billionaires considered

Archaic Lens (@archaiclens) 's Twitter Profile Photo

First navel idol I’ve found from Costa Rica. The hands meet characteristically around the navel repeating a symbolism echoed around the world. Nicoya culture / Costa Rica / 1 - 700 AD This is the first navel idol I have found from an ancient culture of Costa Rica, with other

First navel idol I’ve found from Costa Rica. The hands meet characteristically around the navel repeating a symbolism echoed around the world. 

Nicoya culture / Costa Rica / 1 - 700 AD

This is the first navel idol I have found from an ancient culture of Costa Rica, with other
This is Ireland 🇮🇪☘️ (@thisisireland3) 's Twitter Profile Photo

Hidden in plain sight! 🐑💚 Eagle’s Rock in Glenade Valley, County Leitrim is a sight to behold. Can you spot who else is enjoying the view? 👀 📸 instagram.com/garethwrayphot… #Leitrim #Eaglesrock #Valley #Ireland

Hidden in plain sight! 🐑💚
 
Eagle’s Rock in Glenade Valley, County Leitrim is a sight to behold. Can you spot who else is enjoying the view? 👀

📸 instagram.com/garethwrayphot…

#Leitrim #Eaglesrock #Valley #Ireland
Archaeology & Art (@archaeologyart) 's Twitter Profile Photo

The Sacred Heart and the Wounds of Christ (“Arms of Jesus Christ”), unique hand‑coloured woodcut on paper, England, c. 1495; Collection: Bodleian Libraries, University of Oxford (shelfmark Arch. G f.13).

The Sacred Heart and the Wounds of Christ (“Arms of Jesus Christ”), unique hand‑coloured woodcut on paper, England, c. 1495; Collection: Bodleian Libraries, University of Oxford (shelfmark Arch. G f.13).