The Film Scorer (@thefilmscorer) 's Twitter Profile
The Film Scorer

@thefilmscorer

Trying to put film music into words. Host of “The Film Scorer” podcast, featuring long-form interviews with film composers.

ID: 1213224183108268032

linkhttps://linktr.ee/thefilmscorer calendar_today03-01-2020 22:22:56

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Seeing a lot of people mad that YouTubers made a good movie, lest we forget that one of our greatest young actors was also a YouTuber

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A lot of the YouTuber/filmmaker discourse comes from jealousy - so many of us made little videos when we were younger, but they never went further; seeing two guys go from dumb vids to well received features makes people feel like they could have done that too, but never did…

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Loving these 60s and 70s Yakuza flicks set in Okinawa - the scores are so much more front and center compared to other Yakuza films, often with a heavy dose of jazz Here's the main titles from Kinji Fukasaku's Sympathy for the Underdog, score by Takeo Yamashita (Lupin III)

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“Burial’s score, then, serves both as the music of the unnamed player and of the evil of Baby Invasion, of the world’s penchant for viewing violence and depravity through a lens of entertainment.” Wrote about Burial’s excellent score for Baby Invasion: thefilmscorer.com/baby-invasion-…

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I like that this is meant to frame Ludwig as some sort of artsy, highbrow composer when you could say “the score is by the guy that did Creed, Venom, and Black Panther, and worked with Childish Gambino” and “masculine American men” would all go “Hell yeah”

I like that this is meant to frame Ludwig as some sort of artsy, highbrow composer when you could say “the score is by the guy that did Creed, Venom, and Black Panther, and worked with Childish Gambino” and “masculine American men” would all go “Hell yeah”
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Funny seeing a clip from the show out in the wild! Cruise had some hands on moments with the score in The Final Reckoning as well as Rogue Nation, would love to know when else he’s done this

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Forgot that I'd thrown on a harsh drone album in the middle of my Beach Boys listening and momentarily thought they'd taken a really weird turn in the mid-60s

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Among the many issues with guy’s statement is that it’s easier to make music/learn an instrument now than at any other point in history But of course, pressing a button to generate something for you also isn’t similar to that anyway, might as well just open up Spotify & hit play

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One thing I learned from interviewing Thomas and Julia Newman, if you’re interviewing multiple people at once, lead off by asking if one ever considered killing the other, great ice breaker

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Seems like every time a big movie with a Hans Zimmer score is coming out (e.g. F1) people come out of the woodwork to air their complaints about HZ. I guarantee that any issues you may have with him are also being done (more severely) by some other big name composers...