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The London Magazine

@thelondonmag

A review of literature and the arts, established in 1732 and published bi-monthly.

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linkhttp://thelondonmagazine.org calendar_today15-01-2011 16:23:34

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'The insouciant yet deeply serious quality of her writing struck me. Here was a poet eschewing all templates, excavating the self with both horror and humour.' momtaza mehri šŸ’†šŸ¾ā€ā™€ļø pays tribute to Alice Notley who passed away this May at the age of 79: thelondonmagazine.org/essay-the-kind…

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On this episode of The London Magazine Podcast, we speak to short story writer and novelist Gurnaik Johal. In the episode, we discuss maximalist fiction, ecological anxiety and his debut novel, Saraswati (Serpent's Tail). Listen here: open.spotify.com/episode/4Wd3Zb…

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'I fancy if there is a jury of critics sitting over what I write, then Yeats is the judge.' On what would have been Yeats' 160th birthday, we revisit this 1971 interview with Ted Hughes on Yeats, Shakespeare, mysticism and violence: thelondonmagazine.org/archive-ted-hu…

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'She has an instinct for a kind of poetry that will confirm the values of her way of life... Critics who find my poetry violent are in her world, and they are safeguarding her way of life.' Ted Hughes in 1971 on his aunt, poetry, and critics The London Magazine thelondonmagazine.org/archive-ted-hu…

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'We go on writing poems because one poem never gets the whole account right. There is always something missed.' – Ted Hughes (1971) Read here: thelondonmagazine.org/archive-ted-hu…

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'Poetry is nothing if not the record of just how the forces of the Universe try to redress some balance disturbed by human error.' From 1971, an interview with Ted Hughes: thelondonmagazine.org/archive-ted-hu…

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'I don’t know if it’s very interesting to read fiction where you can feel that the author is judging the character.' Rosa Appignanesi interviews Lauren Elkin about Lacan, Paris and her so-called 'critic's novel', Scaffolding. Read here: thelondonmagazine.org/interview-an-a…

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'I had a hard time ending Scaffolding because I felt like as a work of fiction it needed to be making some kind of pronouncement on what it means to be human, and having it all mean something very profound. I found that really challenging.' – Lauren Elkin thelondonmagazine.org/interview-an-a…

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'Erased de Kooning Drawing', a poem by Tara McEvoy from our December / January 2025 issue. Order the latest issue for more poems like this: thelondonmagazine.org/product/curren…

'Erased de Kooning Drawing', a poem by Tara McEvoy from our December / January 2025 issue.

Order the latest issue for more poems like this: thelondonmagazine.org/product/curren…
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'Short stories are our natural mode. We have been reading and telling them our whole lives.' Wendy Erskine on the short story form: thelondonmagazine.org/essay-wendy-er…

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'I found the conceptualisation of the form off-putting. So many diktats: don’t introduce a new character in the last quarter of the story; make sure you have a killer, bravura opening. It all sounded very exhausting.' Wendy Erskine on short stories: thelondonmagazine.org/essay-wendy-er…

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'Masquerade', a poem by Audrey Molloy from our February / March 2025 issue. For more poems like this, order the latest issue: thelondonmagazine.org/product/curren…

'Masquerade', a poem by Audrey Molloy from our February / March 2025 issue.

For more poems like this, order the latest issue: thelondonmagazine.org/product/curren…
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'Use the Words You Have is not just a novel of desire. It’s a meditation on the nature of language itself.' Bruce Omar Yates reviews Kimberly Campanello's debut novel (SOMESUCH): thelondonmagazine.org/review-use-the…

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ICYMI, we had Gurnaik Johal on the podcast this month to talk about maximalist fiction and his debut novel, Saraswati (Serpent's Tail). Listen to the full episode here: open.spotify.com/episode/4Wd3Zb…

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On Thurs 10th, we have our 3rd Brunel University of London publishing webinar: find out everything there is to know about submitting your work to literary journals. Join us to hear from Lisa McInerney from The Stinging Fly, Sana Goyal Kotecha from Wasafari and Jamie Cameron from The London Magazine. Register hereā¬‡ļø

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'The success of Oasis is that they have selected an image. That they have been aided by a culture which celebrates men behaving badly and football as an art form is without doubt.' From 1997, Archie Cotterell reviews 'the phenomenon of Oasis': thelondonmagazine.org/archive-oasis-…