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We're raising a glass today to my brilliant grandma, Eva Ibbotson, whose books continue to bring joy to so many. She was born exactly 100 years ago, in Vienna. "There are those who dance the notes, and those who dance the music."

I would like Bishop Mariann Edgar Budde to be the next Archbishop of Canterbury.

THE ACADEMY AWARD NOMINATED WALLACE & GROMIT #Oscars

Hello! I'm writing a long read on cruise ship theatre productions - if you're an actor, backstage worker, or have been involved in any other way with one of these, please get in touch. DMs are open. #journorequest

.York Theatre Royal’s Paul Crewes: ‘We’re producing more than ever before. We’ve got to keep reinventing’ He talks to The Stage all about working to make York a destination for artists and audiences 👇 thestage.co.uk/features/york-…

Writers: not done one of these for a while, but as it's a new year... I'm always looking for great stories to commission for GQ, so if you have one, please send to [email protected] (and RT this, if you're feeling kind).

Three Sisters at the Sam Wanamaker Playhouse at Shakespeare’s Globe – review whatsonstage.com/news/three-sis…

The Last Laugh in the West End and on tour – review whatsonstage.com/news/the-last-…

George will definitely now work in theatre

My review of The Score starring Brian Cox (also my debut for LondonTheatre.co.uk) londontheatre.co.uk/reviews/the-sc…

What goes into putting on a show at sea? In this week's Long Read, The Stage goes behind the scenes to find out how productions are staged onboard the world's biggest cruise liners, and why cruise entertainment is thriving 👇 thestage.co.uk/long-reads/sea…

The Habits at Hampstead Theatre – review whatsonstage.com/news/the-habit…

Kyle Soller on making it as an American in London, and how his character in Andor shows the banality of evil (for @backstage) backstage.com/uk/magazine/ar…

AI: will it be the next big technical revolution in theatre? In this week's Long Read, Theo Bosanquet ask those at the forefront of technical innovation if backstage workers are facing job losses or new opportunities amid technological shifts 👇 thestage.co.uk/long-reads/ai-…

A Midsummer Night’s Dream review – Nicholas Hytner’s raucous visions are back at the Bridge Theatre whatsonstage.com/news/a-midsumm…

"I thought f-k it, this would make a great ballet" - I spoke to the team behind Quadrophenia Sadler's Wells in-common.co.uk/2025/06/07/the…

What is it like inside the updated 'ABBA Voyage' experience?. #ABBA #ABBAVoyage Theo Bosanquet londontheatre.co.uk/theatre-news/n…

At the curtain call of Just for One Day, Sir Bob Geldof gave a 13-minute speech taking aim at Trump and "ketamine-crazed" Musk for cuts to overseas aid. "300,000 people have died because of them."

How Connections inspires and supports young talent across the UK? In this week's Long Read, Connections leaders and participants reflects on that nationwide youth project as it celebrates its 30th year 👇 thestage.co.uk/long-reads/nt-…

A Moon for the Misbegotten with Ruth Wilson and Michael Shannon at Almeida Theatre – review whatsonstage.com/news/a-moon-fo…