Uyen P. Dang (@_uyendang) 's Twitter Profile
Uyen P. Dang

@_uyendang

vietnamese american | tin house scholar '24, fulbright '22 | stories with @haydensferryrev @PassagesNorth @CincinnReview ++ | she/her

ID: 1241036063096872968

linkhttp://uyenpdang.com calendar_today20-03-2020 16:17:16

668 Tweet

150 Followers

764 Following

۶ৎ moni takes it like a taker (@snoopyshipman) 's Twitter Profile Photo

this is a good google doc w fundraisers for gaza sudan congo and other places pls look into it if you’re able to if not spread it pls docs.google.com/spreadsheets/d…

Workshops4Gaza (@workshops4gaza) 's Twitter Profile Photo

UPDATE! Thanks to the incredible generosity of Open Books: A Poem Emporium the W4G bookstore is now housed on their site! We curated a list of books, some by Palestinians, some by people teaching workshops, some just bc. Buy a book! All proceeds go to Mohammed's fam! …n-books-a-poem-emporium.myshopify.com/collections/wo…

UPDATE! Thanks to the incredible generosity of <a href="/openpoetrybooks/">Open Books: A Poem Emporium</a> the W4G bookstore is now housed on their site! We curated a list of books, some by Palestinians, some by people teaching workshops, some just bc. Buy a book! All proceeds go to Mohammed's fam! …n-books-a-poem-emporium.myshopify.com/collections/wo…
Abdelrahman ElGendy (@el_gendy_95) 's Twitter Profile Photo

Aside from all the layers of abhorrence here, I paused at how we are witnessing Gaza, in real time, becoming a "moment" in US lingo. Just as they say "Vietnam" to refer to, not the place or its people, but how they wrecked it. We don't exist to name & mark your deranged history.

Kundiman Community (@kundimanunity) 's Twitter Profile Photo

We launch this mutual aid fund to support current and former Kundiman staff impacted by the hostile working conditions created by the Board of Trustees. bit.ly/kundiman-staff…

We launch this mutual aid fund to support current and former <a href="/kundimanforever/">Kundiman</a> staff impacted by the hostile working conditions created by the Board of Trustees.

bit.ly/kundiman-staff…
☀️ 🌤 ⛅️ 🌥 (@brandonshimoda) 's Twitter Profile Photo

Palestinian journalist Hind on her nomination for the Nobel Peace Prize: "What Nobel Prize when my people are being slaughtered? I don't feel anything towards any prizes. I am here stuck under a 24/7 f***** drone. I am 700m away from the red danger zone not knowing where to go."

Cave Canem (@cavecanempoets) 's Twitter Profile Photo

Rest In Power Marcellus Khalifah Williams 🤍 In remembering Marcellus Williams, we honor the gifts he gave us through his poetry. Featured poem: “At last…Another Heartbeat”. Written as a reflection of his loneliness during incarceration. Courtesy of the Innocence Project.

Rest In Power Marcellus Khalifah Williams 🤍 In remembering Marcellus Williams, we honor the gifts he gave us through his poetry.

Featured poem: “At last…Another Heartbeat”. Written as a reflection of his loneliness during incarceration. Courtesy of the Innocence Project.
Heba Gowayed هبة جويد (@hebagowayed) 's Twitter Profile Photo

The anniversary of genocide is another day of genocide. I cannot believe this has gone on for a year. I cannot believe it’s getting worse. And I cannot believe I walk through a world that funds, applauds, accepts this— continues as it continues.

Otherwise Magazine (@otherwisemag) 's Twitter Profile Photo

Our magazine is a labour of love. Your support will ensure its longevity. Please consider donating to OtherwiseMag, or participating in one of our creative workshops.​ otherwisemag.com/donate

Black Warrior Review (@blackwarriorrev) 's Twitter Profile Photo

We're delighted to announce Uyen Dang's "Souvenirs" as the winner of BWR's 2024 Flash Contest, selected by Intan Paramaditha! In Uyen's own words: "I'd been thinking about the mobility of a wound while writing this piece, wondering about its traffic across history and bodies,

We're delighted to announce Uyen Dang's "Souvenirs" as the winner of BWR's 2024 Flash Contest, selected by Intan Paramaditha!

In Uyen's own words: "I'd been thinking about the mobility of a wound while writing this piece, wondering about its traffic across history and bodies,