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Gonna go disassociate to Belmondo and his dogs, if anyone needs me to grab them anything.

Rewatching LOST HIGHWAY, in which Natasha Gregson Wagner reminds us that the sluttiest thing a woman can do is have a lil gap between her front teeth.

babe are you ok? you're watching secretary (2002) again

From the intro: “A masterwork scribbled in invisible ink, awaiting the right light to reveal its design" Brian De Palma’s unproduced screwball noir AMBROSE CHAPEL — coming May 26th from Sticking Place Books.

Was a true thrill to provide the commentary track for SHOOT FIRST, DIE LATER, a film by my favorite poliziotteschi director, Fernando Di Leo. The fullest expression of his work (it's his LE CERCLE ROUGE), it pushes the genre to its breaking point. Out now via Radiance Films/ Raro

We're mere hours from the Halfway to Black Friday Sale and announcing our expectedly fiendish set of VS Surprise titles, the 4K UHD debuts of two marvelously macabre classics from a duo of very different yet acclaimed directors; a second Cinématographe Films, offering the 4K UHD

I recorded a new commentary track for the 4K release of a film that means more to me than nearly any other—Jim McBride’s 1983 version of BREATHLESS! Out now via Cinématographe Films/ Vinegar Syndrome. Cop it at the link in the QT.

***ANNOUNCEMENT*** Now available to order on #4K in the US from Vinegar Syndrome as part of their @cinematographefilms line: #Breathless (1983)! Jesse (Richard Gere, American Gigolo), a restless and cocky common criminal with a penchant for fast cars, rock ‘n roll music and

First look at the new Cinématographe Films trailer for Jim McBride’s 1983 film Breathless starring Richard Gere and Valérie Kaprisky. 📽️ The film is making its UHD debut, now available for pre-order via Vinegar Syndrome: boxd.it/auU

The definitive erotic thriller documentary, WE KILL FOR LOVE, is 50% as part of a huge Vinegar Syndrome sale. 3 hours long, multiple commentary tracks, loaded with interviews with erotic thriller creatives & scholars alike. Get it if you like to watch: vinegarsyndrome.com/products/we-ki…

I am so proud to have contributed a commentary track to this 4K release of BREATHLESS, one of my all-time favorite films.

Eight years ago today, one of my favorite films of this century premiered at Cannes. I wrote for Bright Wall/Dark Room about YOU WERE NEVER REALLY HERE, Lynne Ramsay's luminously expressionistic crime film that shatters the damaged-man-saves-helpless-girl genre. brightwalldarkroom.com/2018/09/20/you…

This book is the most comprehensive out there. The documentary film WE KILL FOR LOVE also traces the rise and fall of the genre.

Katy is so fucking hot in the running man, everyone’s moral alignments are going to reverse. Evil will become good, good will become evil, and everyone will become gay for Katy O’Brian. Gay girls, straight girls, gay boys, straight boys, all nonbinary people: all gay for Katy.

he was so real for this

Finally, any excuse to shoutout Travis Woods for one of my favorite pieces of film writing.