Exclusive: Clip and Poster Debut From Eleanor Mortimer’s True/False-Premiering "How Deep Is Your Love" True/False Film Fest documentary.org/exclusive-news…

Weaving the World: Lisa Jackson Presents "Wilfred Buck’s Star Stories" in XR. Read Karen Cirillo's interview with Lisa Jackson on #DocumentaryMag documentary.org/online-feature…

IFFR 2025: Back on Form. Read Forrest Cardamenis' overview of the festival and spotlight of 'Videoheaven' on #DocumentaryMag. documentary.org/online-feature…

Why is there no distribution for the Oscar-winning "No Other Land" in the U.S.?

Angelo Madsen’s (North By Current) newest film, A BODY TO LIVE IN, is an ode to body piercer, performance artist, and photographer Fakir Musafar (1930–2018). Read Edward Frumkin's Edward Frumkin (he/him) interview with Madsen on #DocumentaryMag. documentary.org/online-feature…

“Why even have a contest if you’re going to disregard the votes? That’s not democratizing anything.” Read Anthony Kaufman's investigative report on the Sidewinder Films Award / Decentralized Pictures on #DocumentaryMag! documentary.org/online-feature…

We're elated to announce our second wave of #LAFM25 programming, featuring West Coast Premieres of Paul Rudd / Tim Robinson comedy FRIENDSHIP, near-future coming-of-age drama HAPPYEND,

Work in Progress: Archival Producers Alliance Archival Producers Alliance Release New “Working with Archival Producers” Guidelines. Read Natalia Keogan's interview with APA members Debra McClutchy and Eugen Bräunig on #DocumentaryMag! documentary.org/online-feature…

“I Didn’t Want to Have ‘Migration’ in the Title”: Sam Abbas on ‘Europe’s New Faces’. Read Natalia Keogan's interview with Sam Abbas on #DocumentaryMag! documentary.org/online-feature…

For International Documentary Association (IDA), I wrote my last dispatch from Sundance Film Festival ---an overview of some of the documentaries that played there and the common themes that bled through the works documentary.org/online-feature…

The Future of NEA Funding for U.S. Documentary Film Nonprofits Remains in Limbo After Anti-DEI and “Gender Ideology” Executive Orders Read more at #DocumentaryMag! documentary.org/online-feature…

For the latest edition of You’re Projecting, our advice column for cinephiles, Abby Sun (Abby Sun) answers a reader’s question about the ethics of piracy in a skewed distribution landscape. filmcomment.com/blog/youre-pro…

The mayor of Miami Beach is trying to end a lease agreement for an independent film theater after it screened Oscar-winning documentary No Other Land. Disgusting work. miamiherald.com/news/local/com…

Miami Beach’s O Cinema Challenges Mayor’s Threats of Eviction Over ‘No Other Land’ Screenings. Natalia Keogan wrote for #DocumentaryMag. O CINEMA documentary.org/online-feature…

"While #Sundance itself looks into questions of location, land, capital, culture & evolution, I also find myself attracted to the films in the 2025 lineup that seek context and answers to these same questions." Read Matazi Weathers' article on #DocumentaryMag.

While Sundance long provided the latest crop of American documentaries to rave about, it’s now SXSW that increasingly seems to be taking up the national mantle. Read our SXSW '25 dispatch on #DocumentaryMag! documentary.org/online-feature…

Thessaloniki Docfest’s Agora Remains a Beacon of Hope Despite Geopolitical Turmoil and Broadcasters’ Retreat, Says the Industry. Read on #DocumentaryMag! documentary.org/online-feature…

PBS and NPR Leadership Face Accusations of News Bias During U.S. House DOGE Subcommittee, While Documentaries Mostly Escape Scrutiny. Read Natalia Keogan's report on Wednesday's hearing on #DocumentaryMag > documentary.org/online-feature…

For the latest issue of Documentary Magazine International Documentary Association (IDA), I profiled the people behind Concord Originals, the “narrative content creation division” of the independent music rights company, and tried to examine the state of the estate-approved music doc. documentary.org/feature/making…

PBS is really going for it. (gift link) theatlantic.com/culture/archiv… h/t to Anthony Kaufman for breaking the story