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💥 Hello everyone! 💥 Here is the 3rd episode of our podcast 🚀 Our guest Tom Paton is going to launch a new platform as an answer to a monetization problem for creators. And about many other important aspects of AI filmmaking 👇 youtu.be/hAP5KzxMhow?si…

In this episode our podcast, - we sit down with Alex 🧩 Scaling Video GenAI the co-founder of AI Factory, which Snap acquired for $166 million.Alex later led Snap's Generative AI initiatives as Director of GenAI and is currently the founder of Higgsfield AI. youtu.be/aFVtx1t7YoI?si…

We’ve been silent—preparing a statement the world cannot ignore Haru coming soon… #aist #aistharu #aistories

So, GPT-4o can now pump out "Ghibli-style" images—"Ghiblification" is trending everywhere. But there is a problem: - Miyazaki rejects AI-generated art (and the use of AI in art altogether) - How is GPT-4o trained for this style? Big question—raising both ethical and legal

This is an artistic statement — a kind of experiment. 🙌 We took a portion of Ed Sheeran’s song “Photograph” as the foundation and, inspired by its meaning, came up with a concept and visualized it creatively using generative AI tools. 🛠️ This work is purely artistic and in no

Big moment for AIST! 🎬✨  This April 8th, our CEO and co-founder Andrey Tsytsenko rocked the stage at Abu Dhabi's Investor Forum, sharing how AIST is revolutionizing filmmaking with cutting-edge AI.  In his talk, Andrey dove into:   🤖 How AI supercharges creativity – from

Hey Vibe programming or vibe creativity become a new buzzword of the last couple of months, so we decided to dive into this topic. In a new article Andrew Tsytsenko analysed the role of AI, whether it is a tool a co-author. medium.com/@andrew_tsytse…

Hey, About 2 months ago I decided to speak with the most notable figures in the entertainment industry working with AI or the best tech people from the same space. The goal was simple, absorb as much information as possible, share this information with others who are simply

Do you like this style?

Haru, coming soon!

On June 14th, Haru will finally premiere at the GenAIme Festival on escape.ai — the leading platform for AI-powered content!

In our latest podcast, we had a very interesting discussion with Linda Sheng the GM of MiniMax about what makes MiniMax different. The team behind some of today’s most advanced models in video generation, image synthesis, text-to-speech, and more—earning recognition as the

We are finally set for a premiere of our HARU anime short film on Escape.ai ESCAPE on June 14th! It’s been an incredible journey, and we can’t wait to share this story with the world. Stay tuned and join us for the launch — HARU is coming to life!

We’re moving steadily toward our premiere on Escape.ai ESCAPE Come watch the film during the genAIme Festival on June 14th. In the meantime, our team is putting the final touches on animation, sound, and voiceovers. We’ve also just finished our new poster

What started as a simple technical test — a way for us to master scene control and visual consistency at a high level — unexpectedly grew into a standalone short film: HARU. In making it, we pushed our tools and pipeline further than ever before. The result is a piece where

What starts as a simple heist spirals into a hilarious disaster. Two wannabe gangsters steal a ridiculously expensive garden gnome — and break it before they even make it out of town. But these guys have a plan: replace it with a fake, cover it up, and cash in. What could go

We had a great talk with Ryan Phillips, one of the pioneers of the AI media space aka Uncanny Harry. We discussed current workflows, his personal projects, as well as his work with BBC and promise. The future of media business looks very innovative with creators being at the