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REVIEW: ARC’s Rockabye glows but over-saturates Rockabye, though a little long, raises many timely questions. Should real lives be valued over ideologies or the other way around? Is it ethical to let someone die for a political cause? Read the review: buff.ly/3HJ6Mpb

'Dion: A Rock Opera' at Coal Mine Theatre, on now until Mar. 3, harnesses divine power with Peter Hinton-Davis’s direction. Read the 3-N review on NEXTmag.ca nextmag.ca/review-coal-mi…

'Earworm', on now at Crow's Theatre, is beautifully nuanced. Director-playwright Mohammad Yaghoubi manages to send a political message about taking power away from the Islamic regime while telling a compelling story of love. nextmag.ca/review-earworm…

‘Merrily We Roll Along’ at Shifting Ground Collective is a palpable hit, with an infectiously charming enthusiasm radiating from every second of this production. nextmag.ca/review-merrily…

"3 Fingers Back", a 54ology double bill co-produced by Tarragon Theatre and lemonTree creations, is a snapshot of how humans treat each other in these moments of cruelty. nextmag.ca/review-tarrago…

Yes, I cried. Who wouldn’t? See full thoughts below.

REVIEW: Icarus Theatre’s Fiji combines competing genres "If you enjoy the pitch of a rom-com true-crime mesh, this one’s for you. Even if it’s not perfect, it's a charming, nimble watch that tugs at the heartstrings." buff.ly/3vNh7Op

Introducing the next act of Intermission Magazine Today, we’re launching exciting new features and initiatives at Intermission, starting with a gorgeous new website by Mouth Media! Read more about our new look — and upcoming plans — at the link below. buff.ly/3VSUaEf

Mad Madge is an off-beat and unapologetic story about a woman who wants nothing more than to be in the spotlight. Read the full review on NEXTmag.ca: nextmag.ca/review-nightwo…

“Mad Madge is like if Bridgerton and Mean Girls had a beautiful baby.” - Thanks NEXT Magazine !

'Woking Phoenix', on now until Sat., Apr. 27 at Theatre Passe Muraille, is an epic tale of food-powered familial feelings, and a rare jewel baked in love. Read the full review on NEXTmag.ca nextmag.ca/silk-bath-coll…

In the final story from our Art+Money issue, Carl Wilson on how Toronto critics helped write a city into existence, from swashbuckling theatre critic Nathan Cohen, to the forgotten women arts writers of the early 20th century, to the punks from NOW. thelocal.to/arts-criticism…

There is a beautiful use of movement in 'The First Métis Man of Odessa’, closing this weekend at Soulpepper Theatre. It’s a tender and urgent story about love for people and communities during wartime. nextmag.ca/review-soulpep…

Are you over 25? Do you worry your life is already over? Dora-award-winning Haley McGee’s 'Age Is a Feeling' at Soulpepper Theatre Company uses 25 as only the beginning. nextmag.ca/review-witness…

Thought-provoking piece by fellow BIPOC Critics Lab grad Steph Fung (Steph Fung). Give it a read!

'Prove a Villain' is a queer, disabled-led production looking to reinvent Shakespeare's problematic and ableist Richard III. nextmag.ca/review-cool-co…

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Toronto Fringe is underway, and we've got the essential reviews of what's on and what you don't want to miss at this year's Fringe Fest. nextmag.ca/list_article/n…

Stratford Festival review: The Goat or, Who Is Sylvia? A review in five acts "The Goat, or Who Is Sylvia? delivers an off-kilter comedy and disturbing tragedy in a fashion that would make the Ancient Greeks proud." buff.ly/4dJpnQx

Gatekeep, gaslight, girlboss: The delight of female rage in theatre “Personally, I support women’s rights and women’s wrongs — especially when it comes to my girl Hedda," writes contributor Andrea Perez. buff.ly/4cTSHSX