
Anna Shechtman
@annashechtman
English Lit @cornell — Editor-at-Large @lareviewofbooks — Cruciverbalist @newyorker
ID: 1206982374
22-02-2013 06:12:10
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Wrote, w 100+ writers I greatly admire, about a horrible year (whose horrors were mildly offset by the reliability of my mother’s insult comedy) …. C/o Sasha Frere-Jones’s hospitality and good taste: n.sashafrerejones.com/archive/writin…

Amazing, rangy, beautifully written conjunctural analysis by the great Amna A. Akbar featuring Malm, Mangione, the Eldon Ave. Revolutionary Union Movement, and much more. nplusonemag.com/online-only/on…

"as if all the gothic, surreal, comic and fantastic embellishments were ways of metabolizing a violence too blunt and literal to process any other way" Max Nelson is just brilliant on Lynch: newleftreview.es/sidecar/posts/…

For The New York Review of Books I wrote about Leos Carax—and the temptation to write a history of anything as a history of bad dads: nybooks.com/online/2025/01…



“Let’s add some more slogans or lessons. Wrest the collective from the individual. Wrest the political from moralism.”—Nico Baumbach's memoriam on Fredric Jameson’s pedagogy. parapraxismagazine.com/articles/the-l…


"His ostentatiously intelligent films, hypermediated by film history, are all in frantic search of a worldview to adopt...” Anna Shechtman unpacks Leos Carax’s career for The New York Review of Books. Discover this week’s essential film finds in the latest Rushes. mubi.com/en/notebook/po…




I am more excited for this than I can say! "What is Critical Now? Media Studies Between Crisis and Critique" is a symposium and workshop at U-M UM Digital Studies Institute that explores the many disciplinary transformations in media studies since "Critical Terms": events.umich.edu/event/133706


