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"The ‘freedom of desire’ exists, in Duras, only up until the point of its realisation: as soon as an encounter actually occurs, the walls start closing in..." Helen Charman on Marguerite Duras's cinema for ArtReview_: artreview.com/marguerite-dur…

Finally saw Son nom de Venise dans Calcutta désert thanks to the Another Gaze / Another Screen Duras season. The soundtrack still very familiar decades after frequent popping in and out of India Song at the Camden Plaza in 1977, so was weirdly like watching a film through a curtain gap, darkly.

TALK - Love is a Constant Becoming, Like the Revolution Travis Alabanza, Sarah Cleaver, Susanna Davies-Crook, Lizzie Homersham, Juliet Jacques, Savanah Leaf, Jennifer Lewandowska, Golnoosh Nour, Sarah Shin respond to Marguerite Duras' life + work Sept 3 shorturl.at/eaw3A

Godard’s SAUVE QUI PEUT (LA VIE) screens this afternoon Institute of Contemporary Arts, ft. Nathalie Baye, Isabelle Huppert and Jacques Dutronc, plus a thwarted cameo by Marguerite Duras ica.art/films/sauve-qu…

This is Thursday! ica.art/films/agatha-e…

excited to watch Agatha – Duras's 'first film about happiness' – on 35mm //tomorrow// ~ ica.art/films/agatha-e…

Don't miss these gorgeous copies and restorations of L'HOMME ATLANTIQUE, LES MAINS NÉGATIVES, DIALOGUE DE ROME + CÉSARÉE tomorrow. Films about love and cruelty, + cities and civilisations abandoned and replaced, all voiced by M.D. ica.art/films/homme-at… ica.art/films/il-dialo…

Marguerite Duras og bad bitch

Our closing night programme brings together Duras’s last film, LES ENFANTS (1984), in 35mm, a short adaptation of Duras's children's story by Straub/Huillet, and a made-for-television short in which Duras muses on children’s relationship to toys. Tomorrow! ica.art/films/duras-an…

Feel a bit empty now the Duras retrospective has finished at the ICA

Marguerite Duras on why she chose to cast herself in LE CAMION (1977). Repeat screening on 35mm tonight, 630pm, Institute of Contemporary Arts. An unmissable film.

Just started Marguerite Duras' book "My Cinema" and this is the first line. Absolute Queen shit.

Marguerite Duras on filmmakers she “should have liked but never did”

Marguerite Duras on her artistic voice as filmmaker, indistinguishable from her own voice, her words... "I move them from one place to another, I wake them from their slumber, I bring them into the daylight, quietly."

The terrain of this story is this contradiction, this rupture. - Marguerite Duras on the making of India Song e-flux.com/notes/634213/i…

Rivette & Duras

applications for the @AnotherGaze x Open City Critics Workshop are open only until 9PM (UK time) on Monday: opencitylondon.com/news/open-city… don't miss that deadline! 🕘 Daniella Shreir and i want to read yr apps!