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News and notes from the November art sales romp: Buyers have cash and determination, but are still picky; Picasso had a rough night; and Matisse was mixed… Read Wall Power’s full dispatch: puck.news/fall-art-aucti…

Sotheby's reversed, after only one season, of their bold and disruptive new fee structure late last week. They rolled back fees (& added a few points) ending a campaign to remake and industry caught in a cycle of higher fees and dee competitive givebacks. puck.news/sothebys-aband…

An inside look at The Warehouse, the Dallas exhibition space fusing two collectors—and two generations—to create a hybrid experiential and educational platform to engage with the public. From Wall Power puck.news/the-warehouse-…

What the art market needs now is a solid collection of high value, historically recognized works to come to auction. Len and Louise Riggio's collection of modern masterpieces is everything the market needs right now. puck.news/christies-len-…

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Our read of the London auctions is that estimates have come down to a very appealing level for a number of important artists. Will buyers bite? After two years of a falling market, we're looking for some good news: puck.news/inside-the-uk-…

Sale starting Christie's with 4 lots withdrawn and several 3rd party guarantees taken.

Buyers remain wary and sellers are greedy, but the latest New York art sales hint at a new reality… From Wall Power puck.news/new-york-midse…

London's last cycle of sales was down 30% in terms of total volume but the internal indicators were positive. How much of the downturn is attributable to Sotheby's regaining its footing this year or to the loss of high value sales from the London area? puck.news/review-london-…

An auction at Phillips offers a rare collection of photographer William Eggleston prints, made with an arcane and all-but-extinct process to amp up the vividness of everyday life. From Wall Power puck.news/phillips-aucti…

This weekend we got some clarity on what's driving those Sotheby's/Pace Gallery tie up rumors. The truth is far less than the art world imagined. Also, Barbara Gladstone's heirs are exploring their auction options. We try to put that in context: puck.news/newsletter_con…

The London art market continued its four-year slide in sales this year, but the real story is a fair bit more complicated… Read Wall Power’s analysis: puck.news/review-london-…

Alice Walton built a hugely successful museum . She filled it with great American art on view to the public with very little storage. Then she realized too much art is hidden from view. So she hired Anne Kraybill to do something about it. puck.news/anne-kraybill-…

More of my "exit interview" with Guillaume Cerutti, now head of the Pinault collection and chairman of the board at Christie's I asked him why Christie's was separate from Kering and CAA which brought up a discussion of how the Pinault collection fits puck-co.slack.com/files/U06CSC6P…

Christie’s outgoing C.E.O. Guillaume Cerutti discusses his new role as head of François Pinault’s 10,000-work art collection, and how he’ll integrate one man’s vision into the luxury commercial interests of Groupe Artemis. From Wall Power puck.news/christies-ceo-…

Alighiero Boetti is a complex artist with an even more intricate market structure. But Ben Brown thinks his works on paper will benefit from other, more lucrative segments of his oeuvre… From Wall Power puck.news/boettis-aerei-…

Yale has relaunched Paul Mellon’s Center for British Art with a smart update to Louis Kahn’s last building and a refreshed conception of British art and how to view it. From Wall Power puck.news/center-for-bri…

Hop in, Puck’s Marion Maneker (Wall Power) is taking you to Shelter Island to visit the estate of crushed-car-parts sculptor John Chamberlain. Story in thread 👇

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Sotheby’s sold a lot of art on Friday. Who says the art market is declining? instagram.com/reel/DJwhU0Ix_…