Super excited to release 2 new “Phantom Skins” on Gemma available through November! Amazing lineup of artist drops went live today. Thank you! ⚡️𝐿𝒾𝓃𝒹𝓈𝒶𝓎 𝐻𝑜𝓌𝒶𝓇𝒹 eileen Gemma untitled (////////]]]]]]]]), 2023

BLADE RUNNER (1982, Ridley Scott)

Super excited for HOMECOMING opening tomorrow! So many amazing artists and curators involved PWA ✨✨✨

“untitled (]]]]]]]]\\\\\\\\)” by Chris Dorland (chris dorland) Open Edition | 0.05 ETH ▼ Mint on Gemma ▼ gemmaprojects.com/mint/0x30cfa5e…

Loving my mantra for Gemma

Loved sitting down with Willa Köerner to discuss my latest drop on Gemma, the disappearance of reality and the how the idea of digital skins features in my work…. 𝒲𝒾𝓁𝓁𝒶 𝒦ö𝑒𝓇𝓃𝑒𝓇 〰 🦋 Gemma hiddengems.fyi/p/chris-dorlan…

I went ahead a posted ebook versions of MIRRORSHADES as well as the webpage version. So now you can read it on your Kindle or other device. Cyberpunk cyberwednesday. rudyrucker.com/mirrorshades/

✍️Check out the new drop on Feed, our content channel, written by art critic Standard Definition. In this adventurous, lyrical essay, Droitcour surveys artists' use of painting’s historical foundation to examine emerging technologies. 🖇️Link in bio 🖇️

Artists mentioned in Essay: Caitlin Cherry, Andrew Woolbright, Pieter Schoolwerth, Chris Dorland chris dorland, Amy Sillman, and Simon Denny Simon Denny.

Are we witnessing the moment when technological memory becomes the very site of its own erosion? Clone Repo (server ruin) by Chris Dorland The tension that unfolds at the intersection of native digital art and contemporary art is more present than ever. The merging is

ON PAINTING'S DIGITAL RUINS Chris Dorland (chris dorland) discusses how the aesthetics of technical failure can help reimagine broken systems with Annie Pereira Read the article at the link 👇

“As more of our lives are shaped by hidden systems — algorithms, data centers, predictive models — art becomes one of the few ways to access those black boxes.” chris dorland discusses the role of artists in an age of nonhuman vision 👁️

"My face and body are in the piece, but it’s not just about me — it’s about all of us. These narcissistic, self-documenting humans and our endless image loops. The piece is a monument to that cycle. A grave marker for obsolete tech and inflated egos." chris dorland 🔥

Systems collapse softly. Untitled (server ruin) — a short loop from a longer system. Built from corrupted signals and fractured memory. A machine trying to remember what it was made for.

How do artists respond to a world in which humans lack oversight over the production of images? My latest for The Art Newspaper highlights a number seeking to halt the onset of cultural blindness... Read the article at the link👇 Credit: Simon Denny

theartnewspaper.com/2025/07/04/art…

Mentions: Simon Denny chris dorland sara ludy Jenna Basso Pietrobon Hito Steyerl Tim Kent Petra *Asteraceae Mode*

Drinking coffee and reading AXEL recent article in The Art Newspaper - a perfect saturday morning. A great overview of some artists who unpick the fabric of machinic-vision, with Sara Ludy, Chris Dorland, Petra Cortright and others.

🙏🏼 fakewhale ! We've been following Chris Dorland's work for some time now, captivated by his ability to fuse digital languages, analog remnants, and a near-prophetic take on the post-human condition. To read the full article: log.fakewhale.xyz/chris-dorland/ #glitch #posthuman

“The Stack is not a machine but a machine for machines.” Benjamin H Bratton