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"How does a bird flock keep its movements so graceful and synchronized? Most people assume that the bird in front leads and the others follow. In fact, bird flocks don't have leaders: they are organized without an organizer, coordinated without a coordinator. And a surprising

Markets, governance, the production of art and NFTs, Opensea and blur secondary monopolies! Paul Seidler (ƤȺƯȽ 🐜 ) and I chat about our opinions in McCarren Park Bench 5 🪑🪑🪑 CSA2D7 Heya Paul, I'm a little early but just hanging out here ready whenever you are Paul

if you own an artwork you get a studio visit its the rule now

Albert Oehlen, Son of dogshit, 1997 from the series "Computerbilder"

"Here, time becomes an integral part of the artwork, shifting according to computational rules rather than external factors like celestial rhythms or human-created clock time." unthinking.photography/articles/the-i…

real

Remember when I told you all that network state ideas were stupid and would simply lead to more of the things that create authoritarianism? Take it from someone who was at network state summer school how balaji fails at preventing racial cliques reddit.com/r/NetworkState…

Artist & researcher ƤȺƯȽ 🐜 explores the intersections of decentralized systems, economics, and ecological computation. 🌀🌍 As a founding member of terra0, he brings critical perspectives on trust, sovereignty, and planetary sensing to FtC Forum Berlin.

Just out 🥬my newest publication on the Art Market and Technology: Invisible Labour, Visible Value. Blockchain’s Impact on the Economics and Recognition of Digital Art. Thank you to the amazing authors and the co-editor Johannes Bennke & Universität Siegen for the publication. Link ⬇️

Art Basel Basel — and with it #BaselSocialClub — is just around the corner. As part of this year's BANK edition of Basel Social Club, Arab Bank Switzerland presents BANKABLE.

The fifteen works — by 0xfff (0xfff.eth), Kevin Abosch, robertalice, jack, Mitchell F Chan, Rutherford Chang (sovrn.art), 0xdistributed, Sarah Friend (Sarah Friend), Damien Hirst (Damien Hirst), dh, Jonas Lund (jonaslund.eth), Sarah Meyohas, Rhea Myers (Rhea Myers),

BANKABLE at BASEL SOCIAL CLUB presented by Arab Bank Switzerland Fifteen pieces explore the interplay between art, money, and value, and interrogate ownership in the digital age, particularly in the context of decentralised blockchain technology. All works - by 0xfff.eth ,

SMOL DOLLAR is on view in BANKABLE (with amazing other artworks) at BASEL SOCIAL CLUB presented by Arab Bank Switzerland and curated by Nina Roehrs - you have to look for this guy cos its only a really smol screen 8*8cm (*^‿^*)

SF yearns for communism

if anything we gotta make the world less enchanted

(**liquid DnB plays in the background**) The story goes like this:

imagine there would be multiparty generative art implemented in a smart contract itself natively running in the evm processing literal bytes on the worldcomputer and rending out bitmaps - oh wait straylight.folia.app

If fundamental technology is like the plague, this is not [only] because it is contagious, but because it is a revelation, urging forward the exteriorisation of a latent undercurrent of cruelty. ERD/ERD plague edition: 1010.co.uk/org/ERD.html Trailer: youtu.be/G0NlSdzujX0?si…