Bud Hunt (@budtheteacher) 's Twitter Profile
Bud Hunt

@budtheteacher

I'm learning. (he/him)

ID: 1424681

linkhttp://www.budtheteacher.com calendar_today18-03-2007 16:35:08

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james earl jones gives voice to frederick douglass' brilliant speech exposing the hypocrisy of the US' foundational myth, its false claim to universal liberty which it denied the most marginalized and oppressed, by answering the question: "what to the slave is the 4th of july?"

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This is probably my favorite resource on Generative AI right now. cognitiveresonance.net/EducationHazar… Seriously. It's short. And worth your time. Take a look.

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I can’t get over the beauty of a group of government scientists that commissioned a poem to send to Europa. And a poet laureate who delivered. loc.gov/programs/poetr…

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“Pumpkin patch, is there anything I can do to get you to go to the movies for eight hours?” A good Election Day to all.

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“I don’t really like using AI for the feedback. I’d rather have a real person,” said Juliana Gutierrez, a junior in Spanish Language Arts 3. “If you don’t understand something, you can ask [the teacher] to explain it in another way . . .” chalkbeat.org/colorado/2024/…

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“Common People,” _Black Mirror_’s season opener, is peak sci-fi. Watch it. Maybe twice. Think about it. Talk to folks about it. I’d teach it if I had a classroom right now.

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We are reminded of the sacred work of education by Eve L. Ewing used to go by wikipedia brown in the intro to her new book, _Original Sins_. Reading this in Boston while exploring our national histories with my children is powerful.

We are reminded of the sacred work of education by <a href="/eveewing/">Eve L. Ewing used to go by wikipedia brown</a> in the intro to her new book, _Original Sins_.

Reading this in Boston while exploring our national histories with my children is powerful.
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“The question is how do you show the presence of absence?” Sajet said at the time. “How do we actually signal that there are a whole lot of people and voices and opinions missing?” I think about that lots. nytimes.com/2025/05/30/art…