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I reviewed No Other Land for Notebook mubi.com/en/notebook/po…

from sundance to flight risk in 4DX...here i am to tell the tale. thanks to Nicolas Rapold for being a stellar host and interlocutor, especially on the subject of ASCII art!

very excited for this—join us in a couple of weeks in Toronto!

Now on Notebook, Wang Bing in conversation with Jung Sung-il, one of Korea’s finest film critics. This interview delves deep into Dead Souls, documentarian ethics, and what it means to document survivors of history. Translation by yours truly! mubi.com/en/notebook/po…

For Notebook I wrote about 3 films that Frederick Wiseman made in the late 70s about the US empire & military industrial complex as humdrum, business, spectacle and a society within a society. Read it here. mubi.com/en/notebook/po…

For Notebook, I surveyed some extended uses of the so-called "subjective" camera, occasioned by the releases of Nickel Boys and Presence. mubi.com/en/notebook/po…

you don't want to miss Dylan Adamson on "My Weekend as a 28-year-old in Chicago." essential scholarship

say that title three times fast. see this lovely movie on saturday Museum of the Moving Image !

When we decided to publish a week of writing about the new sensory cinema we knew it would be indebted to Tom Gunning. When we asked Tom Gunning to contribute the first essay we weren’t sure he’d go for it. When we read the piece we couldn’t believe our luck.

Writing on mid-century formalist filmmakers Malcolm Le Grice and Anthony McCall, Ho Tzu Nyen's large-scale installations and recent festival highlights, Erika Balsom examines expanded cinema and the expanded mediascape of the new millennium. mubi.com/en/notebook/po…

Concluding the latest edition of Notebook Insert, Gabriel Winslow-Yost writes on the 4DX experience: a cinematic novelty that "seems to incorporate almost every trick from over a half-century of movie gimmicks." mubi.com/en/notebook/po…

it's time for Paul: today on Notebook, Leonardo Goi gets the scoop from Denis Côté

For the past two months, I've been speaking to striking Alamo Drafthouse workers in New York about their grievances with the company and battling for a new contract. This is the result. For Notebook. Check it out. mubi.com/en/notebook/po…

with QUEER now streaming, Notebook had me write about other William Burroughs movies: the very 60s experimental shorts, inspired by his cut-up method, that he made with the fascinating sexploitation impresario Antony Balch mubi.com/en/notebook/po…

read kaitlyn a. kramer's piece, then join us at BAM next month for our debut NOTEBOOK PRESENTS screening! Sophie Calle & Greg Shephard's "Double-Blind"—"two near-strangers join their fates in a wheezing Cadillac"—Wed., June 4, 7 p.m.—not to be missed! bam.org/film/2025/mubi…

It was such a genuine pleasure to talk to the unparalleled Todd Haynes on the occasion of his career achievement honor at Cannes:

For Notebook, I wrote on Dumont - whom I used to struggle with until France (2021) opened up his work for me - with a focus on his post-Quinquin films.