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As part of Richard Turley's guest editorship of It's Nice That, greggazdowicz and CS used images generated by GLID-3 as a jumping off point for drawing a fizzy drink logotype. Read all about the process here: itsnicethat.com/features/machi… 3D graphic by Jae Yeon Kim

Miguel Reyes Miguel Reyes also drew a display face to help tie the series together: Lovesong, inspired by Brush Script (designed in 1942 by Robert E. Smith) but usable in all caps. itsnicethat.com/richard-turley…

New in the Vault: Ergon by Hrvoje Zivcic, a display face in 6 weights. vault.commercialtype.com/collection/erg…

Updated in the Vault: Sandrine Nugue's asymetrically flared Moulin has been expanded to a full range of weights, from Thin to Super. vault.commercialtype.com/collection/mou…

New in the Vault: Lovesong, an homage to Brush Script that can be used in all caps, drawn by Miguel Reyes Miguel Reyes for Richard Turley. vault.commercialtype.com/collection/lov…

The collection of type specimens from before 1831 that @stbridelibrary has digitized is incredible. See more here: archive.org/details/early-…

Original Sans in its original form

Check out this great new release from pani Marika Mirocha, LTR Principia: letterror.com/principia/ Berthold Wolpe influence, a lovely italic, a wide range of widths, fish… what more could you need?

Really excited to have contributed all of the illustrations for this one! And I got to collab with Di-Andre Caprice Davis on the Beef Patty illo 😀 (I made these like 6 months ago so its Disco Diffusion not Stable Diffusion in most places)

Incisive food writing as beautiful type specimen be still my heart. foodissue.commercialtype.com

A new specimen is out. What is your favorite article and what are your favorite type combinaisons?

Congratulations to Plain Form on opening today! plain-form.com There's a lot to love here but Ready is especially great. plain-form.com/typefaces/ready

Happy publication day to these beauts (for yesterday!) by Simon Napier-Bell, published by @Unbounders. Uses Druk from Commercial Type. Thanks also to Alex Eccles and John Mitchinson for trusting me with the design and Jo Carlill for the Picture Research.

Delighted to share the cover for On Posthuman War was selected for Communication Arts Typography Annual 13! AD: Ana Bichanich Editor: Douglas Armato Editorial assistant: Zenyse Miller Publisher: U of MN Press Atlas Typewriter from @carvalho_bernau (ASCII art) Graphik from Commercial Type