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Coffee☕️ can be described as an element of prose comedy, while a dagger🗡️ is a typical prop of a verse tragedy. Prose tragedies feature more pistols🔫 than daggers🗡️ — we know that thanks to Jonah Lubin, Seamus Justin (Freie Universität, EXC Temporal Communities) & Anke Detken (Uni Göttingen) #DHd2024

Some more Polish plays in TEI coming soon!

Some preliminary results of Agnieszka Szulińska ⮕ @aszulinska.bsky.social’s fellowship at DH_Potsdam @[email protected] within the CLS INFRA | @CLSinfra@fedihum | @clsinfra.bsky TNA program: „Samuel Zborowski“, a 19th-century Polish drama written by Juliusz Słowacki, being integrated into the #DraCor drama analysis machinery ⚙️🛠️ #ProgrammableCorpora

Nobody: Absolutely no one: Seamus Justin: I want all the #DraCor people here take part in the ODD workshop DraCor people: 🤯😫🫠 #ProgrammableCorpora

Ok, this is today! Launching the DutchDraCor 🍾🇳🇱 and discussing its comparative potential

„Building corpora is an epistemic practice“ — Peer Trilcke (peertrilcke.bsky.social) on #ProgrammableCorpora

Dracor is "ideally, an interface between analogue and digital philology" — Seamus Justin at the CLS INFRA | @CLSinfra@fedihum | @clsinfra.bsky 'ExploreCor: Using Programmable Corpora in Computational Literary Studies' Training School in Vienna #DraCor #ProgrammableCorpora #DigitalHumanities

Tough competition at the second world championship in „Brecht beats Shakespeare“ (Dramenquartett) game that is based on DraCor and literary network analysis 🏆 #ExploreCor school by CLS INFRA | @CLSinfra@fedihum | @clsinfra.bsky

Meet the new World Champion in Dramenquartett („Brecht beats Shakespeare“), Marie-Christine Boucher The 2nd championship took place today at the CLS INFRA | @CLSinfra@fedihum | @clsinfra.bsky training school in Vienna #ExploreCor #DraCor

🎉 Looks like "Computational Drama Analysis: Reflecting on Methods and Interpretations" was just published DG Literary Studies ➡️ dgb-langlitcult.bsky.social, ed. by Melanie Andresen & Nils Reiter | @[email protected], 9 articles + preface. #OpenAccess Great to see so many colleagues working with #DraCor. 🙏 doi.org/10.1515/978311…

DraCor as a researcher-friendly data delivery infrastructure — this was the core idea of the keynote by DraCor co-editor Daniil Skorinkin @[email protected] at the #DSE conference organised by Instytut Badań Literackich Polskiej Akademii Nauk. Sharing with you some highlight slides & the link to the entire presentation: shorturl.at/pGuH8

Wait, did this guy just spent 10 years thinking how to name his next play? #DraCor

Later today at #TEI2024 in Buenos Aires, our talk: « French Drama in TEI » Slides: bit.ly/teifre Corpus: dracor.org/fre EXC Temporal Communities Freie Universität Max Planck Institute for Empirical Aesthetics Peer Trilcke (peertrilcke.bsky.social) Universität Potsdam TEI Consortium #DraCor #DigitalHumanities

EasyDrama: a lightweight solution for drama encoding in TEI — link to the slides from the #TEI2024 talk by #DraCor co-editor Daniil Skorinkin @[email protected] 🚨 Warning: dangerously far-fetched biological analogies included 😅 shorturl.at/0fxf7

Checked if ChatGPT, Claude, Mistral, and Gemini are able to produce #DraCor-ready TEI/XMLs of plays. The answer is 'mostly yes.. but you have to prompt them into submission' 😅

Is there a difference in the number of scenes per act between German one-act plays and other German plays of the same era? What about the number of characters? From which languages were one-act plays translated? Dîlan Canan Çakir & Viktor Illmer present some #Einakter findings🎭 #CHR2024

Data-driven exploration of characters in thousands of dramatic texts inside: