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Happy Sunday, people!! 😎☀️ I am very excited to share that I now have a personal website, which I am sharing with you: ikyriazis.com ☺️ !! I hope you like it - and feel free to share any thoughts, comments or impressions.. ✍️👀 Talk soon!

One more visualization of #codingdavinci metadata, this time from CdV Ost³ 2022: observablehq.com/@adb3d6963b4be…. A zoomable sunburst depicts the participating institutions with their datasets and the projects that resulted from them. Made with #d3 Coding da Vinci Ost³ 2022

A wonderful experience on an exciting topic! 🙃 Sept 19-21 in Utrecht, NL Be there! 😎😎

Getting a general overview of the melodic contours in Fugue BWV 846: observablehq.com/@adb3d6963b4be… Compressing musical pages with #d3js to reveal texture and vertical alignment #midi #midiconvert #bwv846 Observable 🎼🎛️

How to get from #TEI-XML to a nicely typeset #TeXLaTeX print version of your #DigitalScholarlyEdition? Learn how to generate the code for a critical apparatus via #XSLT using the #reledmac package! #digitalscholarlyediting #dh #DigitalHumanities latex-ninja.com/2022/09/03/eno…

random beat generator using the WebAudio API, all sounds generated, no samples, no libraries, 6KB of JavaScript code #generative #genartclub

Letztes Photo - Special für lu_cyP und pluscha 🤗

An era comes to end.. Goodbye (for now?) Coding da Vinci team and Frankfurt! It was an intense, open-minding and self-reflecting journey. Looking forward to the new things coming the way.. :) - with Philippe Genêt and andrea

Der #CodingDaVinci lebt weiter! Für alle #CdV-Affiniciados & #Wikidata-Interessierte: am 25.11. bieten @projektthiel ma𝕏 westphal @[email protected] - TIB Open Science Lab Ilias Kyriazis & ich einen online Workshop zu unserem #wikiproject an. Anmeldung: umfrage.landesmuseum.de/s/sfik4iu #OAWeek22 #OpenRefine #LOD

I really wonder why people stick to existing "conventions" like the #CIDOCCRM ontology, which in its details is not clearly enough formulated. Apparently we lack people that dare to question existing structures and information policy decisions.

Dear Simon Pegg, Maths is a hugely creative subject that underpins many creative industries: architecture, animation, special effects, music. To equate mathematicians with a drone army of date entering robots shows why a maths for artists 16-18 course would be a great idea.

Upcoming talk: »Data Visualisations as Cultural Images« Next Monday (13. Feb.) Ilias Kyriazis and I will give a talk at the CUDAN Open Lab | @cudanlab.bsky.social / University Tallinn. The lecture is remote and public - so you can join us via zoom! 14:00 Tallinn / 13:00 Berlin time. cudan.tlu.ee/events/2023-02…

👏 The Great Forgetting 👏 is 👏 in 👏 4th👏place👏 I voted and they need YOU to vote too: wbby.co/31992N #Webbys

We invite submissions for ❄️#CUDAN2023❄️ ❄️The Cultural Data Analytics Conference 2023❄️ ❄️December 13-16, 2023❄️ ❄️in @TallinnUni, Estonia❄️ ❄️CUDAN Open Lab | @cudanlab.bsky.social❄️ Website: cudan.tlu.ee/conference/ Abstracts due: July 24, 2023 🌍🇪🇺🇪🇪 #CulturalDataAnalytics

Nahuel Gerth lists this resource as highly inspiring: it is a graphic created by Patrik Hübner & Tim Rodenbröker "Extremely helpful to understand what #creativecoding is, for it lists lots of things we can use as inputs, translate them magicaly though code & then create output"