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Thrilled to announce the publication of my chapter on nonconformist women in the Restoration book trade! Huge thanks to Dr Elise Watson and Jessica Farrel-Jobst for putting together this brilliant volume on Gender and the Book Trade. brill.com/edcollchap/boo…

🖋️!Nueva publicación! Por fin está disponible mi capítulo sobre la gestión de la biblioteca de las duquesas de Almodóvar y los peligros de los libros CIRGEN Mónica Bolufer Peruga Thanks to Dr Elise Watson and Jessica Farrell-Jobst😊 brill.com/edcollchap-oa/… Àrea d'Història Moderna - Universitat de València TRAMOS. Género, política y emociones en el S. XIX

Trying to get any work done the Friday before Christmas (Het Wonder Leven van de H. Rosa de S. Maria van Lima, 1678, USTC 1537320)

Had the most magical week pre-holidays at the Newberry Library: huge thanks to Nora Epstein, PhD Suzanne Karr Schmidt and all the staff for such a warm welcome! Check out that double volvelle 👀 (Newberry Wing ZP 646 .R57 & Case NE 1070 .S33 1648)

no one has ever understood the world like david lynch did. how lucky we are that he showed us what he saw

the only thing i can think right now is how dearly his films held the lives of women: to say the woman is both the only subject of cinema and that lynch's movies are always about movies, is to also know his narratives gave broken women around the world true glimpses of survival.

A Fathers Advice to his Son at the University (Edinburgh, 1693), cautions ‘the Carriage of a Naughty Woman‘: loud, stubborn and in the streets. It was printed/sold by Agnes Campbell & Martha Stevenson, both of whom ‘loud and stubborn‘ doesn't even begin to cover! (USTC 3126281)

Very excited to be giving the first talk of my new research project Thursday on the Edinburgh printress Agnes Campbell and her international networks of bookwomen! Come by if you're in Edinburgh or hit me up for the Teams link 👀 (ESTC R183059 & T507272) hca.ed.ac.uk/news-events/ev…

I'm working on a chapter about fictitious women in early modern paratexts and here's something I thought I'd never see: the widow of Susanna Soldaten-crans bravely carrying on her late wife's business in 1662? I love false imprints (USTC 1844238)