
Ella Nixon
@ellanix0n
Art Historian | Writer | PhD Student
ID: 3064886009
http://www.ellanixon.com 28-02-2015 17:16:44
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.David Thomas Cotter unwraps the cultural implications of Spotify Wrapped thecritic.co.uk/spotify-wrappe…

“Excess attention on Thatcher and her premiership as a framing device attributes her the root cause of all tumult” — Ella Nixon reviews The 80s Photographing Britain at Tate Britain thecritic.co.uk/living-in-the-…

An exhibition of photos from a pivotal decade interests and exhausts, writes Ella Nixon thecritic.co.uk/living-in-the-…

Link to my full speech at Battle of Ideas 2024 Academy of Ideas “What Dosteovsky got right about art” youtube.com/watch?v=gj4CsU…

.Ella Nixon reflects on “cisheteropatriarchy” and the ugliness and obscurity of cultural discourse thecritic.co.uk/jargon-in-exce…




Turner and Constable, writes Ella Nixon, were two artists shaped by differing attitudes to modernity thecritic.co.uk/the-art-of-bro…

Final opportunity to get your hands on the April issue of The Critic, ft. my book review of “Turner and Constable” by Nicola Moorby. Always a pleasure to write for The Critic Books, and especially to review such a captivating book!📖


“She mercilessly corrects the Tate’s 1906 presentation of Turner as the forerunner of Impressionism” — Ella Nixon reviews Turner and Constable: Art, Life, Landscape by Nicola Moorby thecritic.co.uk/the-art-of-bro…


Aestheticising corporate life underpins the no-nonsense feminism of many modern businesswomen, writes Ella Nixon thecritic.co.uk/the-rise-and-r…

Aestheticising business life has been a means of rethinking women in the workplace, writes Ella Nixon thecritic.co.uk/the-rise-and-r…

“Powder pinks, fluffy cushions, and white marble transition into a mint-green matcha iced latte to signal the end of the morning commute.” — Ella Nixon on the rise of the “corporate girlies” thecritic.co.uk/the-rise-and-r…

