Felicity Brown (@felicityebrown) 's Twitter Profile
Felicity Brown

@felicityebrown

Early modern literature @wadhamoxford

ID: 974993920072540160

linkhttps://www.english.ox.ac.uk/people/dr-felicity-brown calendar_today17-03-2018 13:00:39

259 Tweet

533 Followers

1,1K Following

Cambridge UP - Literature & Performance (@cup_litperform) 's Twitter Profile Photo

New Cambridge Element Shakespeare Broadcasts and the Question of Value by Beth Sharrock is now free to read for 2 weeks! cup.org/4hvqnt5 #cambridgeelements #literature

New Cambridge Element Shakespeare Broadcasts and the Question of Value by <a href="/mirthnomatter/">Beth Sharrock</a> is now free to read for 2 weeks! 
cup.org/4hvqnt5
#cambridgeelements #literature
Beth Sharrock (@mirthnomatter) 's Twitter Profile Photo

I'm so excited to share that my Element, 'Shakespeare Broadcasts and the Question of Value' is now available online. It's currently Open Access until the 24th! Below is a short 🧵 on the book and the wonderful people who brought it together... cambridge.org/core/elements/…

inscription (@inscription_jnl) 's Twitter Profile Photo

Issue 5 on containers is imminent! 'Containers' considered via ESSAYS and FICTION (Joanna Kavenna) and ART WORKS (Erica Baum, Daniel Buren, Jeremy Deller, Harold Offeh + others) Pre-order before they're all gone at inscriptionjournal.com/how-to-buy/

Issue 5 on containers is imminent!

'Containers' considered via ESSAYS and FICTION (Joanna Kavenna) and ART WORKS (Erica Baum, Daniel Buren, Jeremy Deller, Harold Offeh + others)

Pre-order before they're all gone at inscriptionjournal.com/how-to-buy/
Dr Leah Veronese 💗💜💙 (@leahveronese) 's Twitter Profile Photo

Leaving Twitter with a bang! Very excited to announce that my article about a new manuscript copy of Shakespeare's Sonnet 116 I have identified has been published online open access: academic.oup.com/res/advance-ar… Oxford Academic

Faculty of English (@engfac) 's Twitter Profile Photo

Dr Leah Veronese has unearthed a rare manuscript copy of Shakespeare’s Sonnet 116 tucked away in a 17th-century poetry collection. This is only the second known manuscript copy of the sonnet ever discovered. Find out more about this exciting discovery: english.web.ox.ac.uk/article/oxford…

University of Oxford (@uniofoxford) 's Twitter Profile Photo

NEW: Faculty of English's Dr Leah Veronese has unearthed a rare manuscript copy of Shakespeare’s famous Sonnet 116 tucked away in a 17th-century poetry collection. This is only the second known manuscript copy of the sonnet ever discovered. More info ⬇️

NEW: <a href="/engfac/">Faculty of English</a>'s Dr Leah Veronese has unearthed a rare manuscript copy of Shakespeare’s famous Sonnet 116 tucked away in a 17th-century poetry collection.

This is only the second known manuscript copy of the sonnet ever discovered.

More info ⬇️
Robert Stagg (@robert_stagg) 's Twitter Profile Photo

The final pages of my essay ‘Shakespeare’s Arabic Sonnets’, out now in the latest issue of ‘Shakespeare Survey’! Read in full to discover more about the Arabic history of sonnet form + how much Shakespeare could have known of Middle Eastern poetry…

The final pages of my essay ‘Shakespeare’s Arabic Sonnets’, out now in the latest issue of ‘Shakespeare Survey’!

Read in full to discover more about the Arabic history of sonnet form + how much Shakespeare could have known
of Middle Eastern poetry…
Robert Stagg (@robert_stagg) 's Twitter Profile Photo

A final plug for my latest article ‘Shakespeare’s Arabic Sonnets’, which has just been published in ‘Shakespeare Survey’: The article discusses the Arabic pre-history of sonnet form and wonders how much Shakespeare could have known of Middle Eastern poetry.

A final plug for my latest article ‘Shakespeare’s Arabic Sonnets’, which has just been published in ‘Shakespeare Survey’:

The article discusses the Arabic pre-history of sonnet form and wonders how much Shakespeare could have known of Middle Eastern poetry.
University of Oxford (@uniofoxford) 's Twitter Profile Photo

A new project, led by Faculty of English's Dr Michael J Sullivan (Michael J Sullivan), has recovered never before seen text by Alfred Tennyson using a combination of imaging techniques to remove crossings out, marks and ink blots. More info ⬇️

A new project, led by <a href="/engfac/">Faculty of English</a>'s Dr Michael J Sullivan (<a href="/mj_sullivan1/">Michael J Sullivan</a>), has recovered never before seen text by Alfred Tennyson using a combination of imaging techniques to remove crossings out, marks and ink blots.

More info ⬇️
Antiquum Documentum (@antiquumd) 's Twitter Profile Photo

Antiquum Documentum are pleased to present a concert to celebrate the launch of the new book 'Light on Darkness: The Untold Story of the Liturgy' (Cosima Clara Gillhammer, Reaktion Publishers). The programme includes composers connected to the such as Palestrina, Byrd, and Weir.

Antiquum Documentum are pleased to present a concert to celebrate the launch of the new book 'Light on Darkness: The Untold Story of the Liturgy' (Cosima Clara Gillhammer, Reaktion Publishers). The programme includes  composers connected to the such as Palestrina, Byrd, and Weir.
flynn (@flynnoallott) 's Twitter Profile Photo

/Poets in their Time/ is one of the rare collections that can reanimate anybody’s love of reading, and put anything it touches in surprising, but completely true and human light - what a life! some.ox.ac.uk/news/dr-barbar…

John Colley (@jwscolley) 's Twitter Profile Photo

And the book is now available online! doi.org/10.1093/978019…. If early Tudor classical reception is your thing, please also consider checking out my second book, on Sallust, out in a few months’ time with the Early English Text Society (details in image below).

And the book is now available online! doi.org/10.1093/978019….

If early Tudor classical reception is your thing, please also consider checking out my second book, on Sallust, out in a few months’ time with the Early English Text Society (details in image below).
Jacob Ridley (@jacobridley78) 's Twitter Profile Photo

CONFERENCE ON TUDOR LITERATURE: The Oxford Drab Colloquium is at Magdalen College on 20 June! 📜📃📚 Come along to discuss CS Lewis's 'Drab Age', with a keynote from Andrew Hadfield and speakers including Laura Ashe and Karen Edwards. Contact Herin Iole or me to attend!

CONFERENCE ON TUDOR LITERATURE: The Oxford Drab Colloquium is at <a href="/magdalenoxford/">Magdalen College</a> on 20 June! 

📜📃📚

Come along to discuss CS Lewis's 'Drab Age', with a keynote from Andrew Hadfield and speakers including Laura Ashe and Karen Edwards.

Contact <a href="/HerinHan/">Herin Iole</a> or me to attend!
Tom Holland (@holland_tom) 's Twitter Profile Photo

I would beg everyone, if they possibly can, to sign this petition: a request for the Government to legislate to stop the shooting of hares during their peak breeding season. Mad that this is currently permitted... petition.parliament.uk/petitions/7247…

I would beg everyone, if they possibly can, to sign this petition: a request for the Government to legislate to stop the shooting of hares during their peak breeding season. 

Mad that this is currently permitted...
petition.parliament.uk/petitions/7247…
Dr Amy Lidster (@amy_lidster) 's Twitter Profile Photo

📣 My (long!) article on ‘Shakespeare and War’ for Oxford Bibliographies Oxford Academic has been published! Covers Shakespeare’s time through centuries of reception history & I hope is useful for research on this multifaceted, diverse & (alas) timely topic oxfordbibliographies.com/display/docume…

Archaeo - Histories (@archeohistories) 's Twitter Profile Photo

This detail refers to one of the most astonishing masterpieces of 18th Century CE sculpture. The "net" is not actual rope, but is incredibly realistically carved from marble... "Disinganno" (Disillusionment or Release from Deception), created by Genoese sculptor Francesco

This detail refers to one of the most astonishing masterpieces of 18th Century CE sculpture. The "net" is not actual rope, but is incredibly realistically carved from marble... 

"Disinganno" (Disillusionment or Release from Deception), created by Genoese sculptor Francesco