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THEME 04: SHIFTING Following that is Mimi Red-Sun’s ‘an ebbing tempest’, a wonderful, almost mystical portrait of a monsoon season. Yet, even in this moment of change, it seems that the comforting moon will always be there. gencontrolz.com/issue2/an-ebbi…

THEME 04: SHIFTING Kasturi Goswami’s ‘The Spring of Cha’ tides us further into spring with her fantastical tale of family, love and cha (tea). gencontrolz.com/issue2/the-spr…

a little late, but trust us it’s worth the wait #ff 🫶🫶 Sixpence Society Literary Journal Duck Duck Mongoose Magazine Alebrijes Review 🐍 VOZ Coming Soon! Yuzu Press 🍉 | SUBS CLOSED antinarrative zine @ updates incoming! @thewinnowmag The Lumiere Review Mag 20/20 🔸🔺✨ - GENCONTROLZ Mag ISSUE 2 out now 🌸❄️ The Institutionalized Review | ISSUE III JAN 28th! @tigerszine the tide rises, the tide falls | literary journal

THEME 04: SHIFTING Nikolaus Attilio’s piece ‘estivation’ follows with a hauntingly alluring depiction of spring, showcasing its bright colours and sharp contrasts. The artwork carefully cradles the curves and corners of spring together. gencontrolz.com/issue2/estivat…

THEME 04: SHIFTING Last but not least is Wincel’s ‘Late Bloomer’. A gentle reminder that everyone grows at their own pace, ‘Late Bloomer’ is the perfect ending to our issue. gencontrolz.com/issue2/late-bl…

just got off the phone with out dream publication aka lit mag best friend aka GENCONTROLZ Mag ISSUE 2 out now 🌸❄️ <3333 life is truly great ☕️☕️☕️☕️☕️

we cannot be more excited!! more news coming soon 🤍

we are breaking our silence… to announce more silence

September thread of paying speculative fiction submissions open and upcoming for writers! 🧵

we love your work. we know you're re-writing each line, deleting stanzas, and questioning everything because you dont. but we do, we love your work.

* CALLING ALL NEW POETS * we want to hear from you!

hey British Museum, I am demanding all my translations to be removed from the China's Hidden Century exhibit and all materials pertaining to the exhibit (including the exhibition books, all video/photo/display materials, all signage, all digital or print materials such as