©️Ade Adekola (@gidi_icons) 's Twitter Profile
©️Ade Adekola

@gidi_icons

Author / Digital Art /SKINS; Conscious Currency; Diaspora XYZ; Icons of a Metropolis; Interrogating the Archives.

ID: 519376875

linkhttps://www.hoo.be/adeadekola calendar_today09-03-2012 10:37:22

1,1K Tweet

795 Followers

1,1K Following

CatGirl Kulak 😻😿 (Anarchonomicon) (@fromkulak) 's Twitter Profile Photo

🧵 People in the Past were Desperately Poor 🧵 1/ Whenever I discuss history its shocking how much ignorance I encounter from even trained historians about the level of poverty in the past Contrary to idiots and revisionists No. People in the past were horrifyingly impoverished

🧵 People in the Past were Desperately Poor 🧵
1/

Whenever I discuss history its shocking how much ignorance I encounter from even trained historians about the level of poverty in the past

Contrary to idiots and revisionists No. People in the past were horrifyingly impoverished
CatGirl Kulak 😻😿 (Anarchonomicon) (@fromkulak) 's Twitter Profile Photo

4/ This is the most important graph in history. World GDP per Capita from the ancient world to today In WW2 UK gdp per capita was $10k per person (modern Dominican Republic), in 1870 it was 5k (El Salvador), and before 1800 it was below $2k (Haiti) before 1600 $500 (Somalia)

4/

This is the most important graph in history.

World GDP per Capita from the ancient world to today

In WW2 UK gdp per capita was $10k per person  (modern Dominican Republic), in 1870 it was 5k (El Salvador), and before 1800 it was below $2k (Haiti) before 1600 $500 (Somalia)
Dwarkesh Patel (@dwarkesh_sp) 's Twitter Profile Photo

Podcast with the brilliant Marc Andreessen 🇺🇸 is out! We discuss: - how AI will revolutionize software - are NFTs useless, & should he fund flying cars instead - a16z's biggest vulnerability - future of fusion, education, Twitter, venture, managerialism, & big tech Interesting throughout!

Fellowship (@fellowshiptrust) 's Twitter Profile Photo

We are thrilled to announce the acquisition of "Light Years #093" by Dmitri Cherniak by the LACMA. This acquisition is a testament to the valuable contributions of contemporary artists like Dmitri, who are pushing the boundaries of art through experiments with technology.

We are thrilled to announce the acquisition of "Light Years #093" by <a href="/dmitricherniak/">Dmitri Cherniak</a> by the <a href="/LACMA/">LACMA</a>. This acquisition is a testament to the valuable contributions of contemporary artists like Dmitri, who are pushing the boundaries of art through experiments with technology.
©️Ade Adekola (@gidi_icons) 's Twitter Profile Photo

4096 gemstone photomosaic: Metazodiacs; Pisces 0.05ETH rarible.com/token/0xd07dc4… #rarible #ethereum #nonfungible #digitalasset #nft via Rarible

beeple (@beeple) 's Twitter Profile Photo

today marks the two year anniversary of this historic sale with Christie's that forever changed my life and the lives of so many others…. could not be more honored to be sharing this occasion with so many friends, family, and amazing artists tonight. ❤️

today marks the two year anniversary of this historic sale with <a href="/ChristiesInc/">Christie's</a> that forever changed my life and the lives of so many others…. 

could not be more honored to be sharing this occasion with so many friends, family, and amazing artists tonight. ❤️
Google Arts&Culture (@googlearts) 's Twitter Profile Photo

🎨 Artists you need to know: Ade Adekola The Nigerian multidisciplinary conceptual artist who creates images that pose questions about shifting culture, migration, and globalization. 🏛️ African Artists’ Foundation

🎨 Artists you need to know: Ade Adekola

The Nigerian multidisciplinary conceptual artist who creates images that pose questions about shifting culture, migration, and globalization.

🏛️ <a href="/aaf_lagos/">African Artists’ Foundation</a>
NB (@noahbolanowski) 's Twitter Profile Photo

Incredible parallels to Graffiti in 1983 to that of Digital Art Today "Hubert & Dolores Neumann are art collectors who have become instrumental in graffiti's acceptance as a legitimate art form....[they] not only purchase graffiti art, but actively promote it." From 1984's,