20250621 my art work ／ everyday on tumblr hagiharatakuya.tumblr.com

Illustrating the chromatic polarization of light through materials Another stunner from Meyer's Konversations encyclopedia, 1890

Rangoli's are where folk art, religious practices and generative processes meet. Kind of.... The process for making these - exclusively by women and girls in front of their houses - is pretty much entirely procedural. The design on the right is a space-filling curve. These are

Washed colours through custom dithering

Harm van den Dorpel's two-phase animation Anicca 2 is part of group exhibition The Sweet Escape at Upstream Gallery! The generative work is inspired by Buddhist sand drawings, and this one in particular on the Endless Knot symbol. An exercise in patience and reflection on impermanence

Harm van den Dorpel SOLOS. verse.works/exhibitions/st…

Harm van den Dorpel | Quantizer → August 2025 We’re delighted to announce Harm van den Dorpel’s second exhibition presented by SOLOS, following Struggle for Pleasure in January 2024. 🪡↓

Van den Dorpel’s upcoming series ‘Quantizer’, like many of his previous works, encourages patience from viewers in an era where attention has become a currency. It reflects on the pace of digital perception and the impermanence of generative outputs.

🎨Tokyo Gendai sneak peek: Takuro Someya Contemporary Art Takuro Someya Contemporary Art’s presentation features works by four artists who explore human creativity through technology: Kenjiro Okazaki, Goro Murayama, Harm van den Dorpel, and Rafaël Rozandaal (work not shown in

“I realised that the most interesting aspect of generative digital art is that it is inherently unstable and ever changing. This is a quality I want to retain, so I resist arriving at immutable outputs.” - Harm van den Dorpel Quantizer, 2025 Presented by SOLOS

Stairs and Crosses, 2025 A non-regular ornament. Plotter drawing, Sakura fineliner on Hahnemühle watercolour paper 63 × 69cm / 24.8 × 27.2″ Framed in smoked oak behind museum glass. Unique. harm.work/work/stairs-an…

Quantizer By Harm van den Dorpel Presented by SOLOS Every 12 seconds, a new generative variation - seeded from Ethereum’s block hashes - emerges, adding another pulse to a constantly evolving tapestry. ‘Quantizer’ draws on the visual language of early computing that van den Dorpel

Anobium, 2025 The title refers to the most common species of woodworm, which is actually a 🪲 Plotter drawing – Sakura fineliner on Hahnemühle watercolour paper – 70 × 90cm / 27.6 × 35.4″ – Unique. harm.work/work/anobium

Harm van den Dorpel’s generative systems have long been synonymous with what he retroactively now calls “meditation machines”. His work iterates, mutates, and evolves over time, often in a process of slow, recursive development where repetition fosters focus and introspection,

Our upcoming program for SOLOS is not for lightweights. We're not trying to be the art world, and we're not trying to regurgitate what the NFT space considers the "right" kind of work. We're trying to carve our own lane that speaks to the moment we’re living.