Hugh Hou (@hughhoufilm) 's Twitter Profile
Hugh Hou

@hughhoufilm

VR filmmaker, YouTuber at HughHouFilm
instagram.com/hugh.hou/

ID: 21689329

linkhttps://www.youtube.com/hughhoufilm calendar_today23-02-2009 20:24:27

4,4K Tweet

3,3K Followers

3,3K Following

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Yesterday at Google I/O 2025, while everyone was focused on the headline announcements, Kimchi (my trusty Shiba 🐕) stumbled upon something exciting: YouTube VR’s web browser now offers an 8K 60 fps AV1 option per eye—up from the previous 4K max for VR180 video ?!?!? It felt like

Yesterday at Google I/O 2025, while everyone was focused on the headline announcements, Kimchi (my trusty Shiba 🐕) stumbled upon something exciting: YouTube VR’s web browser now offers an 8K 60 fps AV1 option per eye—up from the previous 4K max for VR180 video ?!?!? It felt like
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In this hands-on tutorial, I’ll walk you through how to set up and grade VR180 and 360 video using Blackmagic Design DaVinci Resolve 20, send a live NDI NDI preview directly to Meta Quest and Apple Vision Pro, and enhance your edits with AI: youtu.be/iRFtkcSX5vg

In this hands-on tutorial, I’ll walk you through how to set up and grade VR180 and 360 video using <a href="/Blackmagic_News/">Blackmagic Design</a> DaVinci Resolve 20, send a live <a href="/NDIconnects/">NDI</a> NDI preview directly to Meta Quest and Apple Vision Pro, and enhance your edits with AI: youtu.be/iRFtkcSX5vg
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Color Grade VR180 in Quest 3 🤯 Unlock immersive editing in Blackmagic Design DaVinci Resolve 20 with live NDI preview to your headset. No more guessing stereo depth or color balance—see everything in 3D as you grade it. ✅ Step-by-step NDI setup ✅ Meta Quest 3 + 3S compatible

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If Batman shot VR… this is his cart. Waiting on your URSA Cine Immersive to arrive? Or just upgraded to a RED cinema camera for immersive production? Whether you shoot in immersive 3D 180 or traditional 2D, a solid, all-in-one camera + DIT cart on set isn’t just helpful—it’s

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FreeTimeGS – Free Gaussian Primitives Anywhere, Anytime – has been making waves online over the past two days. You may have already seen it. If not, here’s a great example: a live demo with minimal cleanup and no heavy post-production. What’s remarkable is the simplicity of

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The New Persona on Apple Vision Pro Is Shockingly Realistic With visionOS 26, Apple has made a major leap in improving Personas—and the difference is night and day. Here’s a side-by-side comparison of the old vs. new Persona experience. While not everyone will be convinced, the

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Did you miss the WWDC 25 developer sessions? This new in-depth tutorial unpacks everything Apple quietly shipped with visionOS 26: youtu.be/hE4eeDg71b0 APMP – Apple’s new container that lets 180°, 360°, and Wide-FOV footage flow like water. APAC & ASAF – positional audio tech

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Shared Spatial Experiences on Vision Pro Locally - wow or meh? We tested it with two Vision Pros so you don’t have to 🤯 Now you can watch Apple Immersive Videos, spatial films, or even your 2D movies together in the same room! Full video is here: youtu.be/s9M2DUkmvRM Tried

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🚀 Just caught tonight’s SpaceX Falcon 9 lighting up the sky over Santa Monica! Looked like a UFO at first 👀 SpaceX #spacexfalcon9

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During AWE 2025 I managed to sneak in a half-hour with #ProjectMoohan the #AndroidXR headset Samsung Electronics is building with Google and Qualcomm . It ran an early Android XR build plus Gemini AI, and it felt like that top-tier spatial fidelity was no longer Vision Pro exclusive.

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This is how I protect my $30K RED V-Raptor [X] 3D 180 camera on set and travel… Cinematographers, you are welcome 😂 Follow for more “practical” immersive filmmaking tips. Tag a friend who needs better security… or who will relate. #redvraptor #filmmakers

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Google VEO 3 + Topaz Astra = Gen-AI 360 Video 🤯 VEO 3 can make immersive video—but the quality? Not great…Until now. Topaz Labs Astra new Gen-AI upscaler takes it to the next level. Watch the difference 🥽 Best experienced on Meta Quest 3 or Apple Vision Pro 👇 Comment VEO

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Want to film your own F1-inspired POV video for Apple Vision Pro? In this tutorial, we compare the Insta360 X5 and Insta360 Ace Pro 2—two of the first action cameras that support Apple’s new Wide FOV immersive format in visionOS 26 : youtu.be/yFEEQN5eLSU #AppleVisionPro

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You need this 🥽 Shoot underwater with the Insta360 X5? Here’s a hands-on look at the new Invisible Dive Case — with real footage and setup tips. No hype, just a detailed test so you know what to expect before your next dive. Full review and RAW footage available now:

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After weeks of testing, rendering, and late-night edits, we are excited to release the Blackmagic Design DaVinci Resolve 20 Studio VR180 Masterclass—a fully independent, in-depth workflow built for immersive creators. 🎬 Watch the full Masterclass here: youtu.be/3YclrBLldnw

After weeks of testing, rendering, and late-night edits, we are excited to release the  <a href="/Blackmagic_News/">Blackmagic Design</a> DaVinci Resolve 20 Studio VR180 Masterclass—a fully independent, in-depth workflow built for immersive creators.

🎬 Watch the full Masterclass here: youtu.be/3YclrBLldnw
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We finally unboxed our $30K Blackmagic Design URSA Cine Immersive and it’s already pushing Apple immersive 180 to a new level. Watch our in-depth tutorial NOW: youtu.be/DuBnNhu4nLs

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YouTube preview: youtu.be/dD-Ci_JvG-M After a week of handworks — we’ve wrapped the world’s first independent Immersive Film captured on the brand-new Blackmagic Design URSA Cine Immersive. The result is a 13-minute travel piece, mastered at 8K per eye, 90 fps HDR and packaged

YouTube preview: youtu.be/dD-Ci_JvG-M
After a week of handworks — we’ve wrapped the world’s first independent Immersive Film captured on the brand-new Blackmagic Design URSA Cine Immersive.
The result is a 13-minute travel piece, mastered at 8K per eye, 90 fps HDR and packaged
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Film 16K immersive 180 on location? Here’s how. We just wrapped a 16K 90fps immersive 180 shoot at Santa Monica Pier using the Blackmagic Design URSA Cine Immersive for Apple Vision Pro — powered by a Core SWX Helix Max and mounted on a low-profile monopole to keep the 180°