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@longconmag

canadian quarterly for art about art | This account has been retired: see our website for other social media to follow

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linkhttps://longconmag.com/ calendar_today12-09-2019 23:59:36

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Excerpt from Aimee Hagerty Johnson's artist statement & cover of Nancy Willard's ๐˜ˆ ๐˜๐˜ช๐˜ด๐˜ช๐˜ต ๐˜ต๐˜ฐ ๐˜ž๐˜ช๐˜ญ๐˜ญ๐˜ช๐˜ข๐˜ฎ ๐˜‰๐˜ญ๐˜ข๐˜ฌ๐˜ฆ'๐˜ด ๐˜๐˜ฏ๐˜ฏ (1981), to which Aimee's painting ๐˜ž๐˜ช๐˜ญ๐˜ญ๐˜ช๐˜ข๐˜ฎ ๐˜‰๐˜ญ๐˜ข๐˜ฌ๐˜ฆ (2021) responds. See Aimee's painting in ISSUE 14 at longconmag.com/issue-14/aimeeโ€ฆ

Excerpt from Aimee Hagerty Johnson's artist statement & cover of Nancy Willard's ๐˜ˆ ๐˜๐˜ช๐˜ด๐˜ช๐˜ต ๐˜ต๐˜ฐ ๐˜ž๐˜ช๐˜ญ๐˜ญ๐˜ช๐˜ข๐˜ฎ ๐˜‰๐˜ญ๐˜ข๐˜ฌ๐˜ฆ'๐˜ด ๐˜๐˜ฏ๐˜ฏ (1981), to which Aimee's painting ๐˜ž๐˜ช๐˜ญ๐˜ญ๐˜ช๐˜ข๐˜ฎ ๐˜‰๐˜ญ๐˜ข๐˜ฌ๐˜ฆ (2021) responds.

See Aimee's painting in ISSUE 14 at longconmag.com/issue-14/aimeeโ€ฆ
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Lines from Sarah Hilton's poem "Holding You, Too" in the style of 1st-edition cover of Wendy Cope's ๐˜š๐˜ฆ๐˜ณ๐˜ช๐˜ฐ๐˜ถ๐˜ด ๐˜Š๐˜ฐ๐˜ฏ๐˜ค๐˜ฆ๐˜ณ๐˜ฏ๐˜ด (1993), in which Cope's poem "The Orange" appears. Read Sarah's poem, a response to Cope's, in ISSUE 14 at longconmag.com/issue-14/sarahโ€ฆ sarah

Lines from Sarah Hilton's poem "Holding You, Too" in the style of 1st-edition cover of Wendy Cope's ๐˜š๐˜ฆ๐˜ณ๐˜ช๐˜ฐ๐˜ถ๐˜ด ๐˜Š๐˜ฐ๐˜ฏ๐˜ค๐˜ฆ๐˜ณ๐˜ฏ๐˜ด (1993), in which Cope's poem "The Orange" appears.

Read Sarah's poem, a response to Cope's, in ISSUE 14 at longconmag.com/issue-14/sarahโ€ฆ

<a href="/hilton_sarah_/">sarah</a>
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Excerpts from Krista Eide's story "Julia Roberts Wallpaper" & cover of ๐˜—๐˜ฆ๐˜ฐ๐˜ฑ๐˜ญ๐˜ฆ magazine, summer 1991. Read Krista's story, in which this cover plays a central role, in ISSUE 14 at longconmag.com/issue-14/kristโ€ฆ

Excerpts from Krista Eide's story "Julia Roberts Wallpaper" &amp; cover of ๐˜—๐˜ฆ๐˜ฐ๐˜ฑ๐˜ญ๐˜ฆ magazine, summer 1991.

Read Krista's story, in which this cover plays a central role, in ISSUE 14 at longconmag.com/issue-14/kristโ€ฆ
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Lines from Emma Rhodes's poem "6 questions to know if you're bisexual" & detail from cover of @conyerclayton's ๐˜‰๐˜ถ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ถ๐˜ฏ... (2022). Read Emma's poem, which responds in part to Clayton's collection, in ISSUE 14 at longconmag.com/issue-14/emma-โ€ฆ

Lines from Emma Rhodes's poem "6 questions to know if you're bisexual" &amp; detail from cover of @conyerclayton's ๐˜‰๐˜ถ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ถ๐˜ฏ... (2022).

Read Emma's poem, which responds in part to Clayton's collection, in ISSUE 14 at longconmag.com/issue-14/emma-โ€ฆ
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No-spoilers excerpt from Christopher O'Halloran's story "This is What Dreams are Made Of" & detail from ๐˜›๐˜ฉ๐˜ฆ ๐˜“๐˜ช๐˜ป๐˜ป๐˜ช๐˜ฆ ๐˜”๐˜ค๐˜Ž๐˜ถ๐˜ช๐˜ณ๐˜ฆ ๐˜”๐˜ฐ๐˜ท๐˜ช๐˜ฆ poster (2003). Read Christopher's sneaky horror story, which twists the movie's universe, in ISSUE 14 at longconmag.com/issue-14/chrisโ€ฆ

No-spoilers excerpt from Christopher O'Halloran's story "This is What Dreams are Made Of" &amp; detail from ๐˜›๐˜ฉ๐˜ฆ ๐˜“๐˜ช๐˜ป๐˜ป๐˜ช๐˜ฆ ๐˜”๐˜ค๐˜Ž๐˜ถ๐˜ช๐˜ณ๐˜ฆ ๐˜”๐˜ฐ๐˜ท๐˜ช๐˜ฆ poster (2003).

Read Christopher's sneaky horror story, which twists the movie's universe, in ISSUE 14 at longconmag.com/issue-14/chrisโ€ฆ
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They said I was mad when I wanted to write a story based on The Lizzie McGuire Movie starring Hilary Duff. Who's laughing now?! ๐ŸคŒ (Story in comments) ((Side note, I never realized how many other 30-something men this movie resonated with ๐Ÿ˜…))

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Lines from Phlip Arima's poem "Webbed" & detail from 1st-edition cover of Robert A. Heinlein's ๐˜๐˜ณ๐˜ช๐˜ฅ๐˜ข๐˜บ (1982). Read Phlip's poem, prompted by Heinlein's novel, in ISSUE 14 at longconmag.com/issue-14/phlipโ€ฆ

Lines from Phlip Arima's poem "Webbed" &amp; detail from 1st-edition cover of Robert A. Heinlein's ๐˜๐˜ณ๐˜ช๐˜ฅ๐˜ข๐˜บ (1982).

Read Phlip's poem, prompted by Heinlein's novel, in ISSUE 14 at longconmag.com/issue-14/phlipโ€ฆ
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Excerpt from Sofia Chapman's artist statement & Albrecht Dรผrer's ๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฐ๐˜ถ๐˜ณ ๐˜๐˜ฐ๐˜ณ๐˜ด๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฏ (1498). Sofia's Dรผrer collage & ๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฐ๐˜ถ๐˜ณ ๐˜ˆ๐˜ค๐˜ค๐˜ฐ๐˜ณ๐˜ฅ๐˜ช๐˜ฐ๐˜ฏ๐˜ช๐˜ด๐˜ต๐˜ด ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ˆ๐˜ฑ๐˜ฐ๐˜ค๐˜ข๐˜ญ๐˜บ๐˜ฑ๐˜ด๐˜ฆ musical soundtrack are in ISSUE 14: longconmag.com/issue-14/sofiaโ€ฆ

Excerpt from Sofia Chapman's artist statement &amp; Albrecht Dรผrer's ๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฐ๐˜ถ๐˜ณ ๐˜๐˜ฐ๐˜ณ๐˜ด๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฏ (1498). Sofia's Dรผrer collage &amp; ๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฐ๐˜ถ๐˜ณ ๐˜ˆ๐˜ค๐˜ค๐˜ฐ๐˜ณ๐˜ฅ๐˜ช๐˜ฐ๐˜ฏ๐˜ช๐˜ด๐˜ต๐˜ด ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ˆ๐˜ฑ๐˜ฐ๐˜ค๐˜ข๐˜ญ๐˜บ๐˜ฑ๐˜ด๐˜ฆ musical soundtrack are in ISSUE 14: longconmag.com/issue-14/sofiaโ€ฆ
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Line from Cassidy McFadzean's poem "Storm King" & photo of Maya Linโ€™s ๐˜š๐˜ต๐˜ฐ๐˜ณ๐˜ฎ ๐˜’๐˜ช๐˜ฏ๐˜จ ๐˜ž๐˜ข๐˜ท๐˜ฆ๐˜ง๐˜ช๐˜ฆ๐˜ญ๐˜ฅ (2007 - 2008). Read both of Cassidy's poems, one set in Lin's earthwork, in ISSUE 14 at longconmag.com/issue-14/cassiโ€ฆ

Line from Cassidy McFadzean's poem "Storm King" &amp; photo of Maya Linโ€™s ๐˜š๐˜ต๐˜ฐ๐˜ณ๐˜ฎ ๐˜’๐˜ช๐˜ฏ๐˜จ ๐˜ž๐˜ข๐˜ท๐˜ฆ๐˜ง๐˜ช๐˜ฆ๐˜ญ๐˜ฅ (2007 - 2008). Read both of Cassidy's poems, one set in Lin's earthwork, in ISSUE 14 at longconmag.com/issue-14/cassiโ€ฆ
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Excerpt from Rich Janney's artist statement & detail from theatrical poster for Stanley Kubrick's ๐˜‹๐˜ณ. ๐˜š๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜จ๐˜ฆ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ (1964). See Rich's illustration ๐˜ž๐˜ฉ๐˜ข๐˜ต ๐˜๐˜ข๐˜ท๐˜ฆ ๐˜ž๐˜ฆ ๐˜‹๐˜ฐ๐˜ฏ๐˜ฆ, inspired by Kubrick's film, in ISSUE 14 at longconmag.com/issue-14/rich-โ€ฆ

Excerpt from Rich Janney's artist statement &amp; detail from theatrical poster for Stanley Kubrick's ๐˜‹๐˜ณ. ๐˜š๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜จ๐˜ฆ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ (1964). See Rich's illustration ๐˜ž๐˜ฉ๐˜ข๐˜ต ๐˜๐˜ข๐˜ท๐˜ฆ ๐˜ž๐˜ฆ ๐˜‹๐˜ฐ๐˜ฏ๐˜ฆ, inspired by Kubrick's film, in ISSUE 14 at longconmag.com/issue-14/rich-โ€ฆ
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First line from David Barrick's "Henbane" & detail from Gustav Klimt's ๐˜Ž๐˜ข๐˜ณ๐˜ฅ๐˜ฆ๐˜ฏ ๐˜—๐˜ข๐˜ต๐˜ฉ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜Š๐˜ฉ๐˜ช๐˜ค๐˜ฌ๐˜ฆ๐˜ฏ๐˜ด (1916). Read David's poem, prompted by Klimt's painting, in ISSUE 14 at longconmag.com/issue-14/davidโ€ฆ

First line from David Barrick's "Henbane" &amp; detail from Gustav Klimt's ๐˜Ž๐˜ข๐˜ณ๐˜ฅ๐˜ฆ๐˜ฏ ๐˜—๐˜ข๐˜ต๐˜ฉ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜Š๐˜ฉ๐˜ช๐˜ค๐˜ฌ๐˜ฆ๐˜ฏ๐˜ด (1916).

Read David's poem, prompted by Klimt's painting, in ISSUE 14 at longconmag.com/issue-14/davidโ€ฆ
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Excerpt from Stephanie Yorke's story "Man of Law's Tail" & illuminated page from Ellesmere MS of Chaucer's ๐˜Š๐˜ข๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ฃ๐˜ถ๐˜ณ๐˜บ ๐˜›๐˜ข๐˜ญ๐˜ฆ๐˜ด (c 1400). Read Stephanie's story, a murine reboot of Chaucer's "The Man of Law's Tale," in ISSUE 14 at longconmag.com/issue-14/stephโ€ฆ

Excerpt from Stephanie Yorke's story "Man of Law's Tail" &amp; illuminated page from Ellesmere MS of Chaucer's ๐˜Š๐˜ข๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ฃ๐˜ถ๐˜ณ๐˜บ ๐˜›๐˜ข๐˜ญ๐˜ฆ๐˜ด (c 1400).

Read Stephanie's story, a murine reboot of Chaucer's "The Man of Law's Tale," in ISSUE 14 at longconmag.com/issue-14/stephโ€ฆ