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In this new Publishing As Protocol essay, An Mertens brings together activities from the Constant galaxy to show how F/LOSS tools and licenses and collective practices make these experiments relate in different ways to e-literature. march.international/machines-as-li…

The burgeoning philosophy of somaesthetics proposes that by enhancing our bodily perceptions we may improve our quality of life. Through CTM Festival Sumugan Sivanesan considers how music affects audiences as receptors and, indeed, hosts for sounds. march.international/ctm-2022-conta…

Gratitude to MARCH: a journal of art & strategy for this lovely and thoughtful review of CTM 2022 🔊🙏

In this new essay Beatriz E. Balanta and Noah Simblist ask: What were the political and, more importantly, the sentimental objectives of performances staged by subjects-in-revolt in Colombia and Palestine in spring 2021? Noah Simblist march.international/insurgent-poli…

The Center for Liberatory Practice & Poetry’s inaugural "Values & Practices" is a collectively sourced and living set of agreements aimed to ground those of us who gather through the Center within visions for autonomous and liberated communities. march.international/weaving-our-va…

We are pleased to announce Parsa Sanjana Sajid’s contribution to MARCH 01, “Dhaka Art Summit: Cultural Capital and the Long Tail of Colonial Time,” has been included in Perennial Biennial’s newest publication 'Local Perspectives on a Global Format.' march.international/march-01-peren…

In this 6th Conversation on Sound and Power, Sonic Insurgency Research Group chat w/ Sandra de la Loza of The Pochx Research Society of Erased and Invisible History march.international/conversations-…

From Multidirectional Memory to Multidirectional Moments launch event “Loops, Multiplication & Remembrance,” on November 16th (18h) at Die Angewandte march.international/from-multidire…

In the context of #PublishingAsProtocol, vivianachecchia + Anna Santomauro outline Vessel's collective, socially engaged curatorial practice ahead of a series of new essays reflecting on its eleven year history: march.international/vessel-a-merid…

Continuing Vessel’s contribution to #PublishingAsProtocol (vivianachecchia + Anna Santomauro) this new essay by Tirdad Zolghadr reflects on his experience attending Vessel’s 2015 International Curatorial Workshop (ICW) in Bari, Italy march.international/icw-2015-a-ref…

Continuing Vessel’s contribution to #PublishingAsProtocol (vivianachecchia + Anna Santomauro) this new essay @HakanTopall reflects on 'iTuneZ' imagined as a direct gesture to point out an extra-legal space to listen to what migrants play for comfort march.international/itunez-a-playl…

Sumugan Sivanesan reflects on Constant's recent worksession, Techno-Cul-de-Sac, which brought together artists, architects, and urban researchers for a collective encounter with Brussels via an investigation of zoning, infrastructure, and technology. march.international/techno-on-the-…

New essay by claire.louise.staunton reflects on her involvement with Giant Step, a multi-year program organized by vessel from 2011 to 2012 that aimed to develop the concept of an “ideal” institution. march.international/giant-step-art…

In this new Publishing As Protocol essay, Martino Morandi reflects on Constant's use of Etherpads for collective writing, organizational tasks, as well as experimental publishing. march.international/constant-padol…

To attend to transversal change is to attend to transformational methods – to ways of relating that are not accounted for by the current order. Marc Herbst @aesthetics_n for #PublishingAsProtocol march.international/transversality…

We are pleased to announce a call for proposals for From Multidirectional Memory to Multidirectional Moments, a new long-term inquiry exploring the “promises” of noncompetitive and transversally connected “multidirectional memory” in memorial practices. march.international/beyond-competi…

We are pleased to announce our new feature, Triennials Out of Time, a series of short essays and interviews featuring artistic directors and curators of cyclical exhibitions organized with Counterpublic 2023. march.international/triennials-out…

Can triennials and other cyclical exhibitions carry the seeds of other art worlds less reliant on spectacle and extraction that these circuits have long perpetuated? @Counterpublic23 James McAnally ruangrupa jakarta documentafifteen march.international/triennials-out…

Prem Krishnamurthy, Artistic Director for FRONT International 2022, speaks with Zippora Elders, Co-Curator of sonsbeek20→24, about the pros and cons of curating large-scale cyclical exhibitions. march.international/triennials-out…

March: a journal of art & strategy, 2020-2025. On our fifth anniversary of publishing, we are announcing an indefinite hiatus. Read more about the decision and spend time with the archive: march.international/march-a-journa…