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Ballet BC, returns to the UK with a double bill by two exceptional choreographers – Crystal Pite & Johan Inger 3/6 Theatre Royal Plymouth 6/6 Wolverhampton Grand 10/6 @TheatreRNorwich presented by Dance Consortium. My preview thanks to Martha Oakes PR spotlightonkulture.uk/ballet-bc-open…

Songs of the Bulbul is a transcendent solo for the virtuoso performer Aakash Odedra Company created in collaboration with revered Delhi-based Kathak choreographer Rani Khanam 3/6 Nottingham Playhouse Oxford Playhouse Newcastle Theatre Royal My preview thanks to Martha Oakes PR spotlightonkulture.uk/aakash-odedras…

'Audiences will also see these beautiful works by two of the greatest choreographers of our generation.' Ballet BC artistic director Medhi Walerski on the UK tour which comes to Wolverhampton Grand tonight and tomorrow. weekendnotes.co.uk/ballet-bc-at-w…

IF: Milton Keynes International Festival announces full programme for 2025 mkfm.com/news/local-bus…

We couldn't be more thrilled for Aakash Odedra Company and his double win for #Mehek at the NationalDanceAwards #BestMaleDancer, shared with TOMMY FRANZEN, and #OutstandingMaleClassicalPerformance Congratulations to Aakash, Tommy and all today's winners and nominees

Great opportunity here…

Milton Keynes International Festival Reveals Folk, Rock, Indie, and Pop Events broadwayworld.com/article/Milton…

Shout out to Kamchàtka! Fugit has won Best Street Show at Spain’s national performing arts awards, Premios Max! 🎉 Its themes of displacement & courage feel especially relevant this #RefugeeWeek See it live at #IFMK this July ifmiltonkeynes.org/event/kamchatk…

Thrilled to see two MOPR clients in Lyndsey Winship's Edinburgh Festival Fringe dance picks in Guardian Stage - Impermanence's VENUS 2.0 at ZOO + #LeaTirabasso's In the bushes Summerhall theguardian.com/stage/2025/jun…

"Last year taught us to prioritise rest, to listen to our bodies, and to find moments of stillness even in the whirlwind of a 24-show season. I mean, you don’t have to go to the festival club EVERY single night." Lovely interview with #LewisMajor about #TRIPTYCHRedux

Wonderful interview with #KathyHinde Kathy Hinde about #ListenToTheVoicesoftheFen #WickenFen National Trust Special artist, special place.

The wonderful Alison Young #AlisonYoung from The Stables MK talking all things IF: Milton Keynes International Festival to Michael Blades MKFM 106.3 including her programme of close-up circus, comedy, cabaret and live music in #TheSpiegeltent mkfm.com/on-air/podcast…

“#SongsoftheBulbul is not just a dance piece, it’s a spiritual invocation and a one-man epic that unfolds like a myth retold through movement“ thank you for this wonderful review. Next stops for Aakash Odedra Company Newcastle Theatre Royal and Sadler's Wells

Fascinating #EdFringeTalk thoughts from #LeaTirabasso talking about absurd, funny, thought-provoking, life-enhancing #Inthebushes @summerhallery 13-25 August

Fascinating interview with #Kamchatka's #GaryShochat before the UK premiere of the company's #PremiosMax winning show #Fugit IF: Milton Keynes International Festival on 24 July "We consider it to be one of our most special & poignant shows, so we cherish it and profoundly believe in its importance & quality"

Listen to the Voices of the Fen. Kathy Hinde’s sonic sculpture trail opens at Wicken Fen, 18th July to 28th September.NT Press Office #cambridgeshire #wickenfen My preview thanks to Martha Oakes PR spotlightonkulture.uk/listen-to-the-…

A city transformed into a stage for ten amazing days… starting tomorrow

“Planning a festival which uses the city as a stage is a marathon rather than a sprint” the IF: Milton Keynes International Festival race has begun and it’s on until Sunday 27 July

The creation of visual and emotional souvenirs...a wonderful in-depth conversation between #DorothyMaxPrior and #Kamchatka's #GarySchochat ahead of the UK premiere of #Fugit IF: Milton Keynes International Festival this Thursday totaltheatre.org.uk/fleeing-with-k…

The Times's reassignment of four critics is one thing, but its downgrading of the so-called traditional review is altogether another: newyorker.com/culture/the-le…